The San Francisco Film Society yesterday announced the inaugural recipients of its SFFS Women Filmmaker Fellowships, a brand new suite of services designed to support female writer/directors working on their second or third narrative feature through a combination of financial backing, innovative programs and events, mentorship services, industry connections and a growing community of fellow filmmakers.
Supported by the Kenneth Rainin Foundation and facilitated by Filmmaker360, the Film Society’s filmmaker services department, these fellowships provide direct assistance to an under-served group of storytellers and help to build sustainable careers for women filmmakers all over the world.
Participants in the SFFS Women Filmmaker Fellowship must be working on a second or third English-language narrative feature screenplay. They must have had a previous film premiere at a major international festival and priority is given to women working in the genres of science fiction, comedy, action, thriller and horror, which are traditionally under-represented for women filmmakers.
“We’re thrilled to be kicking off this new initiative with such talented individuals, and to help bridge the support gap we have seen for many women in finding the resources they need, especially on their second or third feature film projects,” said Michele Turnure-Salleo, director of Filmmaker360. “It’s also very satisfying to support kick-ass women making edgy sci-fi, horror and comedies, and we hope this initiative contributes to leveling the playing field in those areas. Like our SFFS Producers Initiative, this program focuses on backing people rather than individual projects, and we are committed to helping these amazing folks realize their creative visions.”
In 2013 and 2014, academic institutions such as the Annenberg School for Communication and Journalism at the University of Southern California and the Center for Study of Women in Television and Film at San Diego State produced substantive reports on the state of women in the film industry, revealing startling statistics that point to drastic gender inequality. The latter group, for example, reports that in 2013, women accounted for just 6% of directors, 10% of writers, 15% of executive producers, 17% of editors and 3% of cinematographers. Additionally, women were found more likely to be working on romantic comedies, dramas or documentaries than the top-grossing genres of animation, sci-fi, action and horror.
“We all benefit from a more accurate and diverse portrayal of society on film,” said Jennifer Rainin, CEO of the Kenneth Rainin Foundation. “As more than 50% of the population, it’s imperative that women have opportunities to share their stories on screen and that we see female characters valued as much as males, yet there’s a lack of progress on these issues and little funding for female filmmakers working in narrative. Recognizing this gap, we’ve created the Women Filmmaker Fellowships as a way to build a critical mass of female filmmakers enjoying sustainable and thriving careers. I hope it inspires other film organizations and philanthropists to join us in building out this initiative, and to replicate this model.”
Designed to grow organically over time to include additional programs and events, the SFFS Women Filmmaker Fellowship is currently seeking additional funding partners. For more information, visit sffs.org/filmmaker360.
2015 SFFS WOMEN FILMMAKER FELLOWS
Nikole Beckwith is from Newburyport, Massachusetts. Her plays have been developed and performed with the Public Theater, Playwrights Horizons, Clubbed Thumb, HERE Arts Center, Colt Coeur, Lesser America, 3LD and Rattlestick Playwrights Theater among others. Her newest play Untitled Matriarch Play (or Seven Sisters) was written at the National Theatre of London’s Studio and premiered in rep at the Royal Court under the direction of Artistic Director Vicky Featherstone. Also a pen and ink artist, Beckwith’s comics have been featured on NPR, WNYC, the Huffington Post and the Hairpin, among others. Her first film Stockholm, Pennsylvania (2012 Nicholl Fellowship, 2012 Black List, 2013 Sundance Screenwriters Lab), which was adapted from her stage play of the same name, premiered at the 2015 Sundance Film Festival in the US Dramatic Competition. She lives in Brooklyn.
Jennifer Phang’s sophomore feature Advantageous (pictured above) won the US Dramatic Competition Special Jury Prize in Collaborative Vision at Sundance 2015. The film will play at the San Francisco International Film Festival and BAM Cinemafest, and is expected to see a release in June. Her award-winning debut feature Half-Life premiered in 2008 at the Tokyo International and Sundance film festivals. It screened at SXSW and was distributed by Sundance Channel. She was invited to Sundance Institute Screenwriters Lab and was awarded a SFFS FilmHouse Residency and Sundance Institute Feature Film Grants in support of Advantageous. Phang was originally commissioned to create Advantageous as a short film for the ITVS Futurestates Program. A Berkeley-born daughter of a Chinese-Malaysian father and Vietnamese mother, Phang graduated from the MFA directing program at the American Film Institute.
Stewart Thorndike is a writer/director from Tacoma, Washington. She makes female-driven genre films and her first film, Lyle, was hailed as a “lesbianRosemary’s Baby” after its premiere at Outfest, where star Gaby Hoffmann won the Grand Jury Award for Best Actress. Thorndike attended NYU’s graduate film program and her thesis short film, Tess and Nana, premiered at SXSW. Stewart’s next film, The Stay, is about a group of women at a hotel who are told to do bad things by a haunted TED Talk, with Chloe Sevigny attached to star in the 2015 production. She is currently developing her second horror feature, Daughter, about a love triangle between a single mother, her troubled teenage daughter and the witch who moves in next door. Thorndike plans to shoot Daughter in 2016.
SFFS Women Filmmaker Fellowships will take place from April to October each year, overlapping with the Film Society’s previously announced Producers Fellowship programs and the San Francisco International Film Festival (April 23 – May 7). Program support includes:
* A $25,000 – $40,000 cash grant, which must be used for living expenses. Individual amounts depend on place of residence and estimated travel costs to participate in Bay Area fellowship components.
* Placement in FilmHouse Residency program and access to all FilmHouse programs and activities.
* One-on-one consultation with film industry experts from the Bay Area and beyond regarding casting, financing, budgeting, legal issues, distribution and other relevant topics.
* Weekly one-on-one consultation services provided by Filmmaker360 staff, with feedback on screenplays, verbal pitch strategies and written materials such as synopsis and treatment.
* Presentations and networking opportunities with Bay Area narrative filmmakers.
* Expenses covered for one 3-day networking trip with a Filmmaker360 staff member from San Francisco to Los Angeles, for meetings with established industry professionals.