The 2016 Melbourne Documentary Film Festival that took place from July 9th to 11th in Melbourne, Australia came to a close last week, and awarded its top prize, the Supreme Jury Award to A Billion Lives directed by Aaron Biebert, who was awarded the Best Director prize.
A Billion Lives, the documentary feature film debut of director, Aaron Biebert, looks at the cigarette smoking and the impact of vaping or eCigarette. Director Aaron Biebert travelled across four continents interviewing doctors, scientists, and others working to save a billion lives.
Supreme Jury Award
A Billion Lives by Aaron Biebert – US | 2016 – 92 min.
Aaron Biebert for A Billion Lives – US | 2016 – 92 min.
Best Indigenous Feature or Short
The Drover’s Boy by Margaret McHugh – Australia | 2015 – 10 min.
The Drover’s Boy is a hybrid-documentary based on a ballad by Australian bush legend, Ted Egan. It retells the story of a forbidden love between a white Drover and his Aboriginal wife in the 1920’s outback Australia.
Best Music Documentary
Todd Who? by Gavin Bond – Australia | 2015
“Todd Who?” is a unique rockumentary that explores a fan’s 30 year obsession and devotion to underappreciated rock musician and technological pioneer Todd Rundgren.
Best Australian Documentary
The Coffee Man Film by Jeff Hann – Australia | 2015 – 70 min.
THE COFFEE MAN is an intensely personal, observational documentary that will have you biting your nails, standing up and cheering; and wishing that you, too, could experience Sasa’s Holy Grail: the perfect cup of coffee.
Best International Documentary
Goodnight Brooklyn – The Story of Death by Audio by Matt Conboy – US | 2015
This documentary brings viewers inside the last underground venue for music and art in Williamsburg, Brooklyn, a neighborhood once defined by its cultural contributions to the city of New York.
Best Victorian Feature or Short
Inside Fighter by Nick Barkla – Australia | 2015 – 51 min.
An underdog Melbourne boxer, Frank ‘The Italian Stallion’ Lo Porto, gets a once-in-a-lifetime opportunity to fight for the world title in America against an undefeated superstar.
Best International Short Documentary
Waterlilies by Tanya Doyle – Ireland | 2015
In their 60s, seven unlikely sages Kay, May, Nuala, Kathleen, Carol, Ann and Brigid have decided to learn how to swim. Taking themselves out of their comfort zone, they reveal what it is that drives them to keep striving for more, for survival, understanding, belonging and for purpose.
Best Australian Short Documentary
You Better Take Cover by Harry Hayes – Australia | 2015
Men At Work’s 1983 hit single, ‘Down Under’ is deeply rooted in Australian culture. Labeled the de facto National anthem, it undoubtedly resonates with a nation. Though the song itself is familiar to most, not commonly known is that 35 years after the band’s success, they were sued for copyright infringement by music publishing company, Larrikin Music.
Beep – A History of Video Game Sound by Karen Collins – Canada | 2015 – 51 min.
From Sound Chips to the Symphony! No longer just the “ugly stepchild” of the games industry, Beep traces the history of game sound from the Victorian penny arcades through pinball and to today’s massive industry of soundtracks and live music. With clips from over 80 interviews with game composers, sound designers, voice actors and audio directors from around the world, Beep is the definitive documentary on game sound.
Sustainable by Matt Weschler – US | 2015
America is facing a food crisis driven by profitability and a lack of consumer education. While the window to transforming our heartland continues to shrink, passionate individuals have emerged who provide hope that the health of our nation might still remain within our grasp.
Best Comedy / Mockumentary
VIVA LA VINCENT by Ashleigh Nicolau – Australia | 2015 – 10 min.
A record-breaking attempt to gather as many people with the same name in the same place at the same time – Vincent’s in the CITY OF VINCENT (located in Western Australia).
Best Art Documentary
Andre Villers a Lifetime in Images by Marketa Tomanova – Czech Republic | 2015
One of the last true great photographer and visual artist awaiting to be fully discovered.
Best Avante Garde / Innovation Award
Bullied To Death by Giovanni Coda – Italy | 2015
Bullied to Death depicts a 24 hour performance against homophobia through the real stories of teenagers worldwide that experience severe bullying episodes at school, from their own families and on the web, as a result of their coming out about their sexuality
Best Health and Enviornmental Documentary
Sustainable by Matt Weschler – US | 2015
Plastic in my water by Allard Faas – Holland
During a boat ride on the Amsterdam canals film maker Allard Faas’ 3 year old daughter asks if it is wrong of a bird to make its nest out of plastic. Bakelite, Nylon, the PET bottle, plastic once seemed a blessing. In this film Faas researches why plastic has turned into a problem we can’t control.
Spoke by Em Baker – Australia | 2015 – 57 min.
Three young commuter cyclists set out to bike from San Francisco to Orlando, interviewing crash victims, urban planners, activists and law enforcement to investigate what makes the U.S the most dangerous developed country for cyclists. Shot on location, the trio travel to each interview by bicycle, with cameras, tripods and microphones strapped to their front-racks. Carrying the stories of fellow cyclists killed on American roads, SPOKE is an adventure-tale that looks to empower users of the humble bicycle.
Coalville Gold by Ross Bolidai – United Kingdom | 2015 – 29 min.
Once a hardened criminal, Stevie Gold finds redemption and celebrity status through bare knuckle boxing, but when he breaks his hand, loses the love of his life, and is challenged to a rematch against a far more experienced boxer, he has only his family and himself to lead him to victory.
Weg van de Kerk – chUrchroad by Robin vogel – Holland | 2015
Club church is a subculture within Amsterdam nightlife. This cruise club offering freedom, unprecedented sex and apparent absence of judgement has the film director constantly pushing his own personal boundaries, bringing out a side of him he didn’t know existed.
source: Asian Film Festivals