With the invitation of 24 further feature films, the selection for the Berlin International Film Festival‘s Panorama 2017 program has been completed. 51 works from 43 countries have been chosen for screening in the section, including 21 in Panorama Dokumente and 29 feature films in the main program and Panorama Special. 36 of these films will be celebrating their world premieres at the Berlinale, while the program also features six international and nine European premieres (see the Panorama press releases from 20.12.2016 and 17.01.2017).
The German production Tiger Girl by Jakob Lass will open this year’s edition of Panorama Special at Berlin’s Zoo Palast cinema, along with the previously announced Brazilian production Vazante.
In Tiger Girl’s fast-paced narrative, a strong friendship develops between two women, one in which conventional value systems begin to unravel, in what amounts to a veritable moral portrait of the underbelly of today’s German republic. Daniela Thomas’ Vazante represents for its part the program focus “Black Worlds”, which is also reinforced by the freshly confirmed inclusion of the South African production Vaya by Akin Omotoso, which offers an immersion in the urbanity of Johannesburg.
The fourth film from Brazil is Como Nossos Pais (Just Like Our Parents) by Laís Bodanzky, who depicts the everyday lives of three generations in Sao Paulo as a pyrotechnic display of individual passions and existential delusions staged with a sublime naturalness. The short animated film Vênus – Filó a fadinha lésbica (Venus – Filly the Lesbian Little Fairy) by Sávio Leite rounds off Brazil’s strong presence at this year’s edition of Panorama.
With Discreet, US indie director Travis Mathews, a chronographer of a gay Western modernity, is showing his second film in Panorama. An eerie soundscape floats atop his often elliptically edited story, which revolves around a man approaching middle age who gets caught up in the darker depths of his past.
The original style of Moroccan filmmaker Hicham Lasri was already apparent at Panorama 2015 in The Sea is Behind and on display again last year in Starve Your Dog. Now he returns for the third time with Headbang Lullaby, a visually stunning psychedelic fairy tale swimming in vibrant colour and full of absurd situations, which also takes a long socially critical look at the history of Lasri’s native Morocco.
Naoko Ogigami already enchanted audiences in Berlin with Megane in 2008 and Rentaneko in 2012. In her most recent film Karera ga Honki de Amu toki wa (Close-Knit), the Japanese director employs contemplative, focussed imagery to honour a potential matter-of-factness for non-normative sexualities and the value of families that are defined by love and care and not by conventions.
Three modern arthouse films from China and Hong Kong shed some fresh light on the complex upheavals afoot throughout the vast country. Establishing alternatives for one’s self within authoritarian systems is a great step towards individual freedom: In Bing Lang Xue (The Taste of Betel Nut), we experience the whirlwind of young love on a resort island, while in Ghost in the Mountains and Ciao Ciao, a French co-production, we bask in the breath-taking landscapes of the Chinese highlands through the power of adept cinematography.
In his New Zealand film One Thousand Ropes, Samoan director Tusi Tamasese creates mythic images full of tension and concentration to relate the story of Maea, the baker and male midwife with the healing hands, whose personal demons play an integral role in his everyday life.
Today whole hordes of young cosmopolitans are drawn to Berlin by the promise of happiness that the city has come to represent – three films that pay tribute to this vision in extremely different manners are gathered at Panorama: the psycho thriller Berlin Syndrome by Australian director Cate Shortland, featuring Teresa Palmer, Max Riemelt and Matthias Habich; the feminist fairy tale The Misandrists by Berlinale regular Bruce LaBruce; and the para-pornographic work of underground science fiction Fluidø, by Taiwanese-American artist Shu Lea Cheang.
Thirteen more films have been confirmed for the final selection from Europe alone. These include works like the Spanish debut feature Pieles (Skins) by Eduardo Casanova, Rekvijem za gospodju J. (Requiem for Mrs. J.) by Serbia’s Bojan Vuletić, Ferenc Török’s 1945 from Hungary and God’s Own Country, Francis Lee’s feature-film debut from United Kingdom. Teona Mitevska returns with a bitter depiction of Macedonian adolescents trying to get their bearings in When the Day Had no Name. Also returning to Panorama are Norwegians Ole Giæver, with the emancipatory and philosophical self-examination Fra balkongen (From the Balcony), and Erik Poppe with Kongens Nei (The King’s Choice), which deals with the Norwegian king’s resistance to the German armed forces in World War II.
Luca Guadagnino will show his French-Italian account of summer love, Call Me by Your Name, featuring Armie Hammer, Timothée Chalamet, Michael Stuhlbarg and Amira Casar, a screen adaptation of André Aciman’s novel of the same name, co-written with James Ivory.
The Belgian-French-Lebanese co-production Insyriated by Philippe Van Leeuw is an intense chamber drama featuring Hiam Abbass as a woman trapped in the family’s apartment while a war rages on outside. Kaygı (Inflame) by Ceylan Özgün Özçelik tells the story of the incremental roll-out of wide-spread censorship of the press in Turkey and its effect on the work of a young female journalist. And finally there is Georgian director Rezo Gigineishvili’s Hostages, in which a longing for freedom and independence escalates into a readiness to use violence for young Soviet citizens during an airplane hijacking set in 1983.
The Panorama Audience Awards for Best Feature Film and Best Documentary will be presented for the 19th time together with radioeins and for the first time in co-operation with rbb television. In 2016, over 30,000 audience members cast their votes. On the Berlinale Publikumstag, February 19, the winning films will be presented in CinemaxX7 following the awards ceremony.
For the fifth time, the Heiner Carow Prize will be awarded to a documentary, fiction feature or essay film in Panorama in co-operation with the DEFA Foundation for the Promotion of German Film Culture. Following the presentation of the award on February 16 in Kino International, the Heiner Carow film Bis dass der Tod euch scheidet (Until Death Do Us Part, GDR 1979) will be shown.
Panorama 2017 Main Program and Panorama Special
1945 – Hungary
By Ferenc Török
With Péter Rudolf, Bence Tasnádi, Tamás Szabó Kimmel, Dóra Sztarenki, Eszter Nagy-Kálózy
Berlin Syndrome – Australia
By Cate Shortland
With Teresa Palmer, Max Riemelt
Bing Lang Xue (The Taste of Betel Nut) – Hong Kong, China
By Hu Jia
With Zhao Bing Rui, Yue Ye, Shen Shi Yu
Call Me by Your Name – Italy / France
By Luca Guadagnino
With Armie Hammer, Timothée Chalamet, Michael Stuhlbarg, Amira Casar, Esther Garrel, Victoire Du Bois
Ciao Ciao – France / People’s Republic of China
By Song Chuan
With Liang Xueqin, Zhang Yu
Como Nossos Pais (Just Like Our Parents) – Brazil
By Laís Bodanzky
With Maria Ribeiro, Clarisse Abujamra, Paulo Vilhena, Felipe Rocha, Jorge Mautner, Herson Capri, Sophia Valverde, Annalara Prates
Discreet – USA
By Travis Mathews
With Jonny Mars, Atsuko Okatsuko, Joy Cunningham, Bob Swaffar
Fluidø – Germany
By Shu Lea Cheang
Fra balkongen (From the Balcony) – Norway
By Ole Giaever
Ghost in the Mountains – People’s Republic of China
By Yang Heng
With Tang Shenggang, Liang Yu, Shang Meitong, Xiang Peng, Zhang Yun
God’s Own Country – United Kingdom
By Francis Lee
With Josh O’Connor, Alec Secăreanu, Gemma Jones, Ian Hart
Headbang Lullaby – Morocco / France / Qatar / Lebanon
By Hicham Lasri
With Aziz Hattab, Latefa Ahrrare, Zoubir Abou el Fadl, El Jirari Benaissa, Salma Eddlimi, Adil Abatorab
Hostages – Russian Federation / Georgia / Poland
By Rezo Gigineishvili
With Merab Ninidze, Darejan Kharshiladze, Tina Dalakishvili, Irakli Kvirikadze
Insyriated – Belgium / France / Lebanon
By Philippe Van Leeuw
With Hiam Abbass, Diamand Abou Abboud, Juliette Navis, Mohsen Abbas, Moustapha Al Kar
Karera ga Honki de Amu toki wa (Close-Knit) – Japan
By Naoko Ogigami
WithToma Ikuta, Rinka Kakihara, Kenta Kiritani
Kaygı (Inflame) – Turkey
By Ceylan Özgün Özçelik
With Algı Eke, Özgür Çevik
World premiere– Debut film
Kongens Nei (The King’s Choice) – Norway / Sweden / Denmark / Ireland
By Erik Poppe
With Jesper Christensen, Anders Baasmo Christiansen, Karl Markovics, Tuva Novotny, Katharina Schüttler, Juliane Köhler
The Misandrists – Germany
By Bruce LaBruce
With Susanne Sachsse, Kembra Pfahler
One Thousand Ropes – New Zealand
By Tusi Tamasese
With Uelese Petaia, Frankie Adams, Væle Sima Urale, Ene Petaia, Beulah Koale, Anapela Polataivao
Pieles (Skins) – Spain
By Eduardo Casanova
with Ana Polvorosa, Candela Peña, Carmen Machi, Macarena Gómez, Secun de la Rosa, Jon Kortajarena, Antonio Duran “Morris”, Eloi Costa
World premiere – Debut film
Rekvijem za gospodju J. (Requiem for Mrs. J.) – Serbia / Bulgaria / Macedonia / Russian Federation / France
By Bojan Vuletić
With Mirjana Karanović, Jovana Gavrilović, Danica Nedeljković, Vučić Perović
Tiger Girl – Germany
By Jakob Lass
With Ella Rumpf, Maria Dragus
Vaya – South Africa
By Akin Omotoso
With Mncedisi Shabangu, Zimkhitha Nyoka, Nomonde Mbusi, Sihle Xaba, Warren Masemola,
Zimkhitha Nyoka, Nomonde Mbusi, Azwile Chamane
When the Day Had no Name – Macedonia / Belgium / Slovenia
By Teona Mitevska
With Leon Ristov, Hanis Bagashov, Dragan Mishevski, Stefan Kitanovic, Igorco Postolov, Ivan Vrtev Soptrajanov
Vênus – Filó a fadinha lésbica (Venus – Filly the Lesbian Little Fairy) – Brazil
By Sávio Leite
Already Announced Titles
Centaur – Kyrgyzstan / France / Germany / The Netherlands, by Aktan Arym Kubat
Honeygiver Among the Dogs – Bhutan, by Dechen Roder
Pendular – Brazil / Argentinia / France, by Julia Murat
The Wound – South Africa / Germany / The Netherlands / France, by John Trengove
Vazante – Brazil / Portugal, by Daniela Thomas