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Beatriz at Dinner
Beatriz at Dinner

Miguel Arteta’s dramatic comedy BEATRIZ AT DINNER, starring Salma Hayek and John Lithgow, has been acquired by Roadside Attractions and FilmNation Entertainment for release in the U.S.

The film was written by Mike White and features a knockout performance by Salma Hayek as a passionate and righteous L.A. healer who locks horns at a dinner party with a rapacious real estate developer, played by John Lithgow.

BEATRIZ AT DINNER debuted on Monday at the Sundance Film Festival in the Premiere Section, earning raves for Salma Hayek and co-stars ​John Lithgow, Connie Britton, Jay Duplass, Amy Landecker, Chloë Sevigny, and David Warshofsky.

In the film, Beatriz (Hayek), an immigrant from a poor town in Mexico, has drawn on her innate kindness to build a career as a health practitioner. Doug Strutt (Lithgow) ​is a cutthroat, self-satisfied billionaire. When these two opposites meet at a dinner party, their worlds collide and neither will ever be the same.

Beatriz (Salma Hayek) is a miracle worker—highly sensitive with her touch, and passionately dedicated to curing pain through holistic therapy. After treating the mother of a young woman Beatriz helped recover from chemotherapy, her car breaks down, so she is invited to stay for a dinner celebrating a lucrative business deal.

An interloper inside this private enclave of the have-mores, Beatriz is politely acknowledged by the guests, with the exception of Doug, a mega brazen and successful business developer. Believing she knows him from somewhere, Beatriz becomes increasingly unsettled. Uninhibited, she questions whether Doug’s accomplishments have come at the expense of other people’s suffering—to the chagrin of the sycophantic hosts—pitting the guests into opposing forces.

Beatriz at Dinner is riveting, yet with an apprehensive tone. Half chamber drama, half dark dramedy of errors, director Miguel Arteta (The Good Girl, 2002 Sundance Film Festival) discerns his characters by showing their most telling reactions, such as the subliminal determination of Hayek’s face, while spinning an indelible wickedness onto this tale of a fateful encounter.

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