
Censored Voices
Censored Voices
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CENSORED VOICES Wins Inaugural Bob Simon Award at the Other Israel Film Festival
Censored Voices is the winner of the inaugural Bob Simon Award at the 9th Annual Other Israel Film Festival. The award honors the legendary journalist’s intrepid reporting on Israel and the Middle East, and presented to the film that best captures Simon’s courageous spirit. Already a winner of the Ophir Award, Israel’s equivalent of the Academy Awards, for Best Documentary, Censored Voices presents, for the first time ever, the uncensored recordings of intimate conversations between Israeli soldiers and renowned author Amos Oz immediately following the 1967 Six Day War in which Israel captured Jerusalem, Gaza and the West Bank. The film will be released theatrically via Music Box Films on November 20. Journalist Bob Simon was a long-time friend and supporter of the Festival. The award was created to honor his spirit and legacy of ethical reporting. https://www.youtube.com/watch?v=1oB8EFlf4-M
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Award-winning Israeli Documentary, CENSORED VOICES, Gets November Release Date | TRAILER
Mor Loushy’s award-winning provocative Israeli documentary CENSORED VOICES presents for the first time ever the uncensored recordings of intimate conversations between Israeli soldiers and renowned author Amos Oz, immediately following the 1967 Six Day War in which Israel captured Jerusalem, Gaza and the West Bank. Winner of the Ophir (Israeli Oscar) winner for Best Documentary, CENSORED VOICES was selected as the Opening Night film of the Other Israel Film Festival in New York, and will open in New York at Lincoln Plaza Cinema on November 20th, and in Los Angeles at Laemmle’s Royal and Town Center on Friday, November 27. A national release will follow. The 1967 ‘Six-Day’ war ended with Israel’s decisive victory; it is portrayed to this day, as a righteous undertaking – a radiant emblem of Jewish pride. Yet, behind the euphoria and a proud new national narrative of invincibility are other voices with something different to say. Future renowned author Amos Oz and editor Avraham Shapira recorded intimate conversations with soldiers returning from the battlefield. Originally censored by the Israeli army, the recordings provide an unfiltered lens into the Israeli zeitgeist as the country turned from David to Goliath. The recordings resulted in a best-selling book which form the basis of CENSORED VOICES. The soldiers’ harrowing confessions, combined with rare archival footage and evocative sound design, create a sense of stunning immediacy. As they wrestle with the systemic excision of Palestinians, the dehumanizing nature of war, and echoes of the Holocaust, we watch as these men, now almost 50 years older, hear the recordings for the first time, and the past erupts, presciently, into the present. https://www.youtube.com/watch?v=1oB8EFlf4-M
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9th Other Israel Film Festival Unveils Complete Lineup + Trailers, Incl. ARAB MOVIE, DÉGRADÉ, JERUSALEM BOXING CLUB
The 9th Other Israel Film Festival to run from November 5 to 12, 2015 at the JCC Manhattan on 76th St and Amsterdam Ave, as well as at Cinema Village and other locations in NYC, announced its complete line-up of feature and short films. Censored Voices, recently recognized with the award for Best Documentary at the Ophir Awards (Israel’s equivalent of the Academy Awards), was previously announced as the festival’s opening night film, with acclaimed documentary Women in Sink closing the festival on November 12. Following screenings at the Cannes and Toronto Film Festivals, Dégradé, directed by twin brothers Tarzan and Arab Nasser, (pictured above) will also have a Special Feature screening on closing night, marking the film’s New York premiere. “From the candid conversations of Arab/Israeli women in a Haifa beauty shop, to the refugee crisis in Tel Aviv and the hopeful business collaboration of an Israeli and a Palestinian woman, this year’s slate ranges from provocative genre films to surprising documentaries and everything in between.” commented festival founder Carol Zabar. “These extraordinary films reveal the fullest spectrum of Israeli and Palestinian life and culture and will spark a frank, vital dialog.” https://www.youtube.com/watch?v=niHNZya86Jo The complete line-up for this year’s festival includes: ARAB MOVIE New York Premiere Dir. Eyal Sagui Bizawe & Sara Tsifroni (60 min, Documentary, Israel, Hebrew & Arabic w/ English subtitles) A nostalgic look back at that old Friday afternoon ritual, when Israeli families of all backgrounds would gather to watch the week’s “Egyptian Movie” on Israel’s official TV station. Arab Movie takes us back to that fleeting moment when Israelis shared the same cultural heroes as everyone else in the Middle East, even as it raises disturbing questions about their relationship to their neighbors across the border. CENSORED VOICES East Coast Premiere Dir. Mor Lushi (84 min, Documentary, Israel, Hebrew & English w/ English subtitles) One week after the Six Day War, a group of soldiers, led by renowned author Amos Oz, recorded intimate conversations with fellow soldiers returning from war. In these recordings, the men wrestled with their fears, taking an honest look at the moment Israel turned occupier. These recordings, censored by the Israeli army until now, are played back to the men 50 years later, revealing their confessions for the first time. Censored Voices opens in theaters on November 20, via Music Box Films https://www.youtube.com/watch?v=Eh0Z1VfYPcE COLLIDING DREAMS Special Sneak Preview Dir. Oren Rudavsky & Joseph Dorman (135 min, Documentary, US, English, Hebrew, Arabic w/English subtitles) A feature-length exploration of one of the most influential, controversial, and urgently relevant political ideologies of the modern era. With origins in Europe in the late 19th century, Zionism was born out of the Jewish confrontation with modernity and persecution. Yet early on, Zionism faced opposition from Palestine’s Arab inhabitants, who saw it depriving them of their own national rights in a land they had inhabited for centuries. Now, amid unceasing religious conflict and tragic bloodshed, it is more crucial than ever for Americans to better understand the meaning, history and future of the movement. Colliding Dreams will open in New York at Lincoln Plaza in January 2016. DÉGRADÉ NEW YORK PREMIERE Dir. Tarzan & Arab Nasser 83 min, Narrative, France / Palestine, Arabic w/English subtitles In this Cannes film festival favorite, we take a look into the lives of a diverse group of women visiting a beauty salon on a hot summer’s day in the Gaza Strip. A bride-to-be, a pregnant woman, a bitter divorcée, a devout woman and a pill-popping addict all meet for some leisure time and pampering. But all is disrupted when a gang war erupts between Hamas and a local group, right in front of the salon, trapping the woman and raising the temperature and anxiety. Starring Hiam Abbass, Maisa Abdelhadi, and Manal Award. JERUSALEM BOXING CLUB United States Premiere Dir. Helen Yanovsky (65 min, Documentary, Israel, Hebrew, Russian, & Arabic w/ English subtitles) The Jerusalem Boxing Club, which operates out of a bomb shelter in Jerusalem’s Katamon neighborhood, is a meeting point for teens from all around the city. For many of these young people, the desire to excel and to win is nourished by the tough training and boundless love of Gershon Luxemburg, the club’s manager and trainer, for whom boxing is not just another sport, but a way of life. Jerusalem Boxing Club was supported by the Other Israel Film Fund. JERUZALEM New York Premiere Dir. Doron & Yoav Paz (81 min, Narrative, Israel, English) A horror film that takes us to Jerusalem, where two vacationing American teenagers decide to follow a mysterious archaeologist to the Old City. Their party is cut short when Jerusalem’s ancient gate to hell is opened, releasing a biblical apocalypse. Trapped between the city’s walls, the three travelers must survive long enough to find a way out, as the fury of hell is unleashed upon them. https://www.youtube.com/watch?v=QTIwfN-4hZ4 MUSSA New York Premiere Dir. Anat Goren (65 min, Documentary, Israel, Hebrew, Amharic, Arabic, & English w/ English subtitles) A moving documentary that tells the story of Mussa, a 12-year-old African refugee living in one of Tel Aviv’s worst neighborhoods. Every day, Mussa is bussed to an upscale private school, where he silently navigates a privileged world, connecting with friends but refusing to speak. When Mussa’s mother is threatened with deportation, Mussa is left devastated, compelled to leave his father and friends behind.: https://www.youtube.com/watch?v=d8bIFoMXKjM ORIENTED Dir. Jake Witzenfeld (81 min, Documentary, UK, Hebrew, Arabic, & English w/ English subtitles) The story of three gay Palestinian friends confronting their national and sexual identity in Tel Aviv. Khader is a “darling” from a prominent Muslim family living with David, his Jewish boyfriend. Fadi is an ardent Palestinian nationalist, in love with a Zionist. Naim yearns to confront his family with the truth about his sexuality. Determined to make a change, the three best friends form a group to fight for gender and national equality. https://vimeo.com/129449012 PARTNER WITH THE ENEMY New York Premiere Dir. Duki Dror, Chen Shelach (56 min, Documentary, Israel, Hebrew, Arabic, & English w/ English subtitles) In the midst of an ever-fraught political landscape, two women, one Israeli and one Palestinian, attempt the seemingly impossible: to build a business together. Fighting against anti-normalization currents and a male-dominated industry, the two combine forces to create a logistics company which helps Palestinian businessmen navigate the Israeli occupation. But while they help their clients, the divisions between the two threaten to tear their partnership apart. Can the bond between them overcome the impossible? Partner With The Enemy was supported by the Other Israel Film Fund. https://www.youtube.com/watch?v=_NxuiYisaLw ROCK IN THE RED ZONE New York Premiere Dir. Laura Bialis (90 min, Documentary, Israel, Hebrew w/ English subtitles) An intimate portrayal of life on the edge in the war-torn city of Sderot. Known for its prolific rock scene that revolutionized Israeli music, Sderot has been the target of ongoing rocket fire from the Gaza Strip for the past thirteen years. Through the personal lives of Sderot’s diverse musicians and a personal love story, this film chronicles the town’s enduring spirit. https://www.youtube.com/watch?v=48_4dAOWa7U TEACHING IGNORANCE United States Premiere Dir. Tamara Erde (52 min, Documentary, Israel, Hebrew & Arabic w/ English subtitles) This powerful film follows several Israeli and Palestinian teachers and asks: How do the Palestinian and Israeli (Arab and Jewish) education systems teach the history of their peoples and the other? Through observing these teachers’ exchanges and confrontations with students, as well as their debates with the official curriculum, viewers are granted an intimate glimpse into the profound effects that the Israeli/Palestinian conflict transmits to the next generation. https://vimeo.com/72800391 THE VOICE OF PEACE – THE DREAM OF ABIE NATHAN United States Premiere Dir. Eric Friedler (90 min, Documentary, Germany, English, Hebrew w/English subtitles) A radical dreamer and a rebellious visionary, the Israeli peace activist Abie Nathan was the man behind “The Voice of Peace,” a pirate radio station broadcasting from a ship off the coast of Tel Aviv. During the 70’s, the station had more than 20 million enthusiastic listeners from all over the Middle East. This fascinating documentary follows Nathan’s humanitarian work over 4 decades, combining rarely-seen archival footage with interviews with former Israeli President Shimon Peres, Yoko Ono, Sir Michael Caine and other world-renowned individuals who believed in Nathan’s vision of a more peaceful Middle East. WOMEN IN SINK New York City Premiere Dir. Iris Zaki (36 min, Documentary, Israel, Hebrew w/ English subtitles) At “Fifi’s”, a hair salon in the heart of Haifa’s Arab community, Iris Zaki installs a mini film set over the washbasin. While she washes their hair, Zaki speaks candidly and freely with the salon’s Arab and Jewish clients, who share their views on politics, history, and love. What emerges from these conversations is an honest and nuanced portrait of contemporary Israel. Women In Sink was supported by the Other Israel Film Fund. https://www.youtube.com/watch?v=e9lHX_l4DJ8 New Voices – Short Film Selection THE ARREST (Dir. Yair Agmon, 10 min, Narrative) BOYS OF NITZANA (Dir. Tamir Elterman, 9 min, Documentary) DIRTY BUSINESS (Dir. Vadim Dumesh, 15 min, Documentary) TILL DAY’S END) (Dir. Amitai Ashkenazi, 19 min, Narrative)
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CENSORED VOICES to Open, WOMEN IN SINK to Close 9th Other Israel Film Festival in NYC | TRAILERS
The 9th Other Israel Film Festival has selected two highly acclaimed documentaries for its opening and closing night films; Censored Voices is set to open the festival on November 5 and Women in Sink is closing the festival on November 12. Censored Voices director Mor Loushy and Women in Sink director Iris Zaki will both be in attendance and participating in Q&As and panel discussions. The festival takes place November 5 to 12, 2015 at JCC Manhattan on 76th St and Amsterdam Ave, as well as at Cinema Village and other locations throughout the city. “The Other Israel Film Festival was created to give cinematic voice to those rarely heard from in Israel,” commented festival founder Carol Zabar. “CENSORED VOICES and WOMEN IN SINK realize our driving mission statement perfectly. Though very different films – one presents unguarded conversations with Israeli soldiers in 1967 and the other the uninhibited conversations of Arab-Israeli women in a Haifa beauty parlor – together these films provide an incisive window into the history and progression of the Israeli/Palestinian experience.” Recognized with the award for Best Documentary at yesterday’s Ophir Awards (Israel’s equivalent of the Academy Awards), Censored Voices makes its New York premiere as the festival’s opening night film, following screenings at the Sundance and Berlin Film Festivals. The film presents, for the first time ever, the uncensored recordings of intimate conversations between Israeli soldiers and renowned author Amos Oz immediately following the 1967 Six Day War in which Israel captured Jerusalem, Gaza and the West Bank. Originally censored by the Israeli army, the recordings provide an unfiltered lens into the Israeli zeitgeist as the country turned from David to Goliath. Censored Voices will be released theatrically via Music Box Films on November 20. https://www.youtube.com/watch?v=Eh0Z1VfYPcE Closing night film Women in Sink was previously recognized with a Special Mention for Best Documentary at the prestigious Karlovy Vary Film Festival. In the short film, director Iris Zaki investigated Arab-Jewish social coexistence by documenting the uninhibited conversations amongst employees and patrons of Fifi’s, a beauty salon in Haifa owned by a Christian Arab. Positioning her camera above one the sinks, Zaki captures the opinions of a diverse group of women on politics, history, love and life. https://www.youtube.com/watch?v=e9lHX_l4DJ8 Both films were granted completion funds by the Other Israel Fund, which since 2009 has been encouraging creative cinematic work bringing the other Israel to the big screen and to audiences Launched in 2007 by the Israel Film Center at JCC Manhattan, the Other Israel Film Festival annually presents an array of narrative and documentary films highlighting the experience of minority populations in Israel, as well as series of panel discussions with special guests. The JCC’s Film Department also presents ReelAbilities: NY Disabilities Film Festival and Israel Film Center Festival in March and June respectively, as well as year-round film screenings and other cultural events.
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18 Documentaries Complete Lineup for 2015 Berlinale Panorama
Une jeunesse allemande (A German Youth)
Panorama Dokumente of the 2015 Berlin International Film Festival will open with the world premiere of Une jeunesse allemande (A German Youth) by Jean-Gabriel Périot.
Using archive material, the film traces without bias or commentary the developments leading up to the “German Autumn” in late 1977. The gradual radicalisation of leaders of the Red Army Faction (RAF) is made palpable in excerpts from, e.g., Holger Mein’s film Freiheit für Teufel (Freedom for Teufel) and Ulrike Meinhof’s Bambule (Rampage). The film examines the expulsion of a large number of undergraduate students from the German Film and Television Academy (dffb) for their radicalism, as well as the independent student workers’ cinema, ROSTA Kino, and the directors’ revolt at the “EXPRMTL (Knokke Experimental Film Festival)” in Belgium.
Tell Spring Not to Come This Year by Saeed Taji Farouky and Michael McEvoy addresses the fatal situation in Afghanistan now that all international troops have left the country. And Censored Voices by Mor Loushy traces the bitter taste of triumph. Young Israeli soldiers return home after the Six-Day War and immediately talk on tape about their experiences: the country is in a flush of victory. Now the director shows these same men listening to what they once said.
A statement by Katrin Seybold, who died in 2012, opens her final work: “The films I make need to be made. When people are dead, then they’re dead, and all we have left are Gestapo reports, the reports of the perpetrators.” Die Widerständigen „also machen wir das weiter …” (The Resistors “their spirit prevails …”) consists of interviews about the resistance movement against the Nazis. The film was finished by Seybold’s friend and colleague Ula Stöckl, whose legendary 1968 film, Neun Leben hat die Katze (The Cat Has Nine Lives), is screening in this year’s Berlinale Classics.Music films and special artist portraits have a tradition in the Panorama. Nina Simone went from being a talented jazz and classical pianist to a highly political human rights activist. In the film What Happened, Miss Simone?, Liz Garbus weaves together film documents, interviews and, of course, the music of this inimitable singer to create an atmospheric portrait. Brett Morgen also includes a great deal of music in Cobain: Montage of Heck, an intimate glimpse into the life and work of the founder of the grunge band Nirvana, Kurt Cobain.
Inuk Silis Høegh’s Sume – Mumisitsinerup Nipaa (Sumé – The Sound of a Revolution) shows how the rock musicians of this band from Greenland devoted themselves in the mid 1970s to opposing Danish colonisers and brought about the revival of Greenlandic, their native tongue. And, as already announced (Press Release from December 16, 2014), in around 1980 one of the most creative musical chapters in West Berlin took place, as documented in B-Movie: Lust and Sound in West-Berlin by Jörg A. Hoppe, Klaus Maeck and Heiko Lange.
Two extraordinary artists, both filmmakers whose world careers began in Berlin, are Jia Zhang-ke and Walter Salles: the latter is presenting an affectionate portrait of his colleague Jia Zhang-ke, Um homem de Fenyang (Jia Zhang-ke, a Guy from Fenyang), which includes many excerpts from his films that make recent upheavals in Chinese society more tangible. Besides the previously announced portrait ofFassbinder – Lieben ohne zu fordern (Fassbinder – To Love without Demands) by Danish filmmaker Christian Braad Thomsen, the Panorama is presenting two rediscoveries: one about Yvonne Rainer, the incredibly inspirational but also, by nature, modest dancer, choreographer and filmmaker, whose filmMURDER and murder won the TEDDY Award in 1997 (Feelings Are Facts: The Life of Yvonne Rainer by Jack Walsh). The other is about Annemarie Schwarzenbach, whose modern European attitudes, writings on travelling the world, and stunning, highly androgynous look in the 1920s are still fascinating today not only to the queer and gender community (Je suis Annemarie Schwarzenbach / My Name is Annemarie Schwarzenbach by Véronique Aubouy).
Two more works have joined the line-up of films that focus on self-determination and sexuality: Danish director Jannik Splidsboel’s Misfits shows how there are several thousand churches in the Bible Belt of the USA but only one gay-lesbian youth centre. For many it is the only safe haven from a socialisation based on religious fundamentalism. Splidsboel presented How Are You about the artists Elmgreen&Dragset in the Panorama 2011. In Haftanlage 4614 (Prison System 4614), Jan Soldat, who showed his short film Zucht und Ordnung (Law and Order) in the Panorama 2012, explores the longings and desires revealed by “prison fetishists”: these inmates are voluntarily behind bars.
The following titles complete the list of Panorama films.
Panorama Dokumente
Censored Voices – Israel / Germany
By Mor Loushy
European premiereCobain: Montage of Heck – USA
By Brett Morgen
International premiereDie Widerständigen „also machen wir das weiter …” (The Resistors “their spirit prevails …”) – Germany
By Ula Stöckl, Katrin Seybold
World premiereFeelings Are Facts: The Life of Yvonne Rainer – USA
By Jack Walsh
World premiereHaftanlage 4614 (Prison System 4614) – Germany
By Jan Soldat
World premiereJe suis Annemarie Schwarzenbach (My Name is Annemarie Schwarzenbach) – France
By Véronique Aubouy
World premiereJia Zhang-ke, um homem de Fenyang (Jia Zhang-ke, a Guy from Fenyang) – Brazil
By Walter Salles
European PremiereMisfits – Denmark / Sweden
By Jannik Splidsboel
World premiereSume – Mumisitsinerup Nipaa (Sumé – The Sound of a Revolution) – Greenland / Denmark / Norway
By Inuk Silis Høegh
European premiereTell Spring Not to Come This Year – Great Britain
By Saeed Taji Farouky, Michael McEvoy
World premiereUne jeunesse allemande (A German Youth) – France / Switzerland / Germany
By Jean-Gabriel Périot
World premiereWhat Happened, Miss Simone? – USA
By Liz Garbus
International premierePreviously announced Panorama Dokumente films:
B-Movie: Lust & Sound in West-Berlin by Jörg A. Hoppe, Klaus Maeck, Heiko Lange, Germany (WP)
Danielův Svět (Daniel’s World) by Veronika Lišková, Czech Republic (IP)
El hombre nuevo (The New Man) by Aldo Garay, Uruguay / Chile (WP)
Fassbinder – Lieben ohne zu fordern (Fassbinder – To Love without Demands) by Christian Braad Thomsen, Denmark (WP)
Iraqi Odyssey by Samir, Switzerland / Germany / Iraq / United Arab Emirates (EP)
The Yes Men Are Revolting by Laura Nix, Andy Bichlbaum, Mike Bonanno, USA (EP)(WP= World premiere, IP= International premiere, EP = European premiere)