
Rat Film
Rat Film
NAME OF FILM: RAT FILM
DIRECTOR(S): Theo Anthony
GENRE: Documentary Film
SYNOPSIS: Across walls, fences, and alleys, rats not only expose our boundaries of separation but make homes in them. “Rat Film” is a feature-length documentary that uses the rat—as well as the humans that love them, live with them, and kill them–to explore the history of Baltimore. “There’s never been a rat problem in Baltimore, it’s always been a people problem.”
-
Documentary RAT FILM, Uses Rats to Explore History of Baltimore, Gets September Release Date | Trailer
Rat Film is a feature-length documentary that uses the rat to explore the history of Baltimore. The film directed by Theo Anthony will open in theaters on September 15, in New York at Film Society at Lincoln Center, and Baltimore at Parkway Theater. Across walls, fences, and alleys, rats not only expose our boundaries of separation but make homes in them. Rat Film is a feature-length documentary that uses the rat—as well as the humans that love them, live with them, and kill them–to explore the history of Baltimore. “There’s never been a rat problem in Baltimore, it’s always been a people problem.” Rat Film director Theo Anthony is a writer, photographer, and filmmaker currently based in Baltimore, MD. His work has been featured by the The Atlantic, Vice, Agence-France Presse (AFP), and other international media outlets. His films have received premieres at the Toronto International Film Festival, Locarno International Film Festival, Rotterdam International Film Festival, and Anthology Film Archives. In 2015, he was named one of Filmmaker Magazine’s “25 New Faces of Independent Film”. https://www.youtube.com/watch?v=mDy3Mtot7IA
-
First Films Announced for 2017 Las Vegas Film Festival , GOOK, RAT RACE and More
[caption id="attachment_20056" align="aligncenter" width="1200"]Gook[/caption] The 10th Annual Las Vegas Film Festival taking June 6 to 11, 2017 at Brenden Theatres and the Palms Casino Resort announced today the initial programming lineup. This year’s Festival lineup includes a mix of feature films and documentaries that have been favorites on the international festival circuit, animated works, shorts, music videos, festival labs and local films that were produced in Southern Nevada or were directed by a local filmmaker. Highlights include winner of the NEXT Audience Award at this year’s Sundance Film Festival, Gook, directed by Justin Chon; SXSW standouts California Dreams from Mike Ott and Theo Anthony’s Rat Race; and Dave Made a Maze from director Bill Watterson.
FEATURE FILMS
10 Days Director: Nathaniel Katzman Estlin and Ellie reconnect on Christmas Eve after nine months of separation. However, they are both wary of jumping right back into a relationship and therefore propose a challenge: they must spend 10 days with each other before a decision can be made. The film is about relationships, the holidays and being young in New York. There’s plenty to laugh, cry, and pull your hair out about. The 60 Yard Line Director: Leif Gantvoort Based on a true story. Set during the 2009 football season. Ben “Zagger” Zagowski and Nick “Polano” Polano, best friends and co-workers, buy a house in the parking lot of Lambeau Field (home of the Packers), and are forced to pick between a football fan lifestyle and a girl. Lives change. There’s a cow. Dave Made a Maze Director: Bill Watterson Dave, an artist who has yet to complete anything significant in his career, builds a fort in his living room out of pure frustration, only to wind up trapped by the fantastical pitfalls, booby traps, and critters of his own creation. Ignoring his warnings, Dave’s girlfriend Annie leads a band of oddball explorers on a rescue mission. Once inside, they find themselves trapped in an ever-changing supernatural world, threatened by booby traps and pursued by a bloodthirsty Minotaur. Gook Director: Justin Chon Eli and Daniel, two Korean American brothers, own a struggling shoe store and have an unlikely friendship with Kamilla, a street-wise 11-year-old African American girl. Kamilla ditches school, Eli stresses about the store, and Daniel tries to have a good time. It’s just another typical day at the store until the Rodney King verdict is read and riots break. With the chaos moving towards them, the trio is forced to defend the store while contemplating the future of their own personal dreams and the true meaning of family. Still/Born Director: Brandon Christensen Still/Born follows Mary, a new mother who lost one of her twins in childbirth. As she struggles with the loss of one of her children, she starts to suspect something sinister is after her surviving child – a supernatural entity that has chosen her child and will stop at nothing to take it from her.DOCUMENTARIES
California Dreams Director: Mike Ott From acclaimed director, Mike Ott comes to the new documentary feature “California Dreams,” presenting five unique individuals in pursuit of a big life change. Through auditions set up in small towns across Southern California, the film shows genuine characters with big Hollywood aspirations who, for various reasons, have never had the opportunity to pursue it. No matter what the endgame is, whether it’s fame, love, or a fleeting shot at immortality, this bitingly funny film reveals the strange and entrancingly hypnotic grip that Hollywood has, in some way or form, on everyone. The Rabbit Hunt (Short) Director: Patrick Bresnan In the Florida Everglades rabbit hunting is considered a rite of passage for young men. The Rabbit Hunt follows seventeen year old Chris and his family as they hunt in the fields of the largest industrial sugar farms in the US. The film records a tradition by which migrant farm workers in the communities surrounding Lake Okeechobee have been hunting and preparing rabbits since the early 1900s.CINEVEGAS PRESENTS AT LVFF
This year’s Festival will once again include CINEVEGAS PRESENTS AT LVFF, featuring a selection of films curated by the CineVegas team of Trevor Groth and Mike Plante. Rat Film Director: Theo Anthony Across walls, fences, and alleys, rats not only expose our boundaries of separation but make homes in them. “Rat Film” is a feature-length documentary that uses the rat—as well as the humans that love them, live with them, and kill them–to explore the history of Baltimore. “There’s never been a rat problem in Baltimore, it’s always been a people problem.”ANIMATIONS
Black Holes Director: David Nicolas Dave is about to lead the first mission to Mars when he’s teamed up with a sentient melon, who claims to be the reincarnation of a fashion designer, upstaging his big moment and driving him to the brink of madness. LOVE Director: Réka Bucsi LOVE is a short film describing affection in 3 different chapters, through an impact on a distant solar system. Luscious Director: Xuecheng Xu A 2D motion graphics video looks at human nature, human instinct and the power of imagination. Minimally styled illustrations tell the story of a beautiful woman who achieves satisfaction by having a psychedelic, metaphoric, sensual journey during dinner in 1930s Shanghai. Pearl Director: Patrick Osborne Set inside their home, a beloved hatchback, Pearl follows a girl and her dad as they crisscross the country chasing their dreams. It’s a story about the gifts we hand down and their power to carry love. And finding grace in the unlikeliest of places. Pussy Director: Renata Gasiorowska A young girl spends the evening alone at home. She decides to have some sweet solo pleasure session, but not everything goes according to plan.MUSIC VIDEOS
Between Leos Director: Jeremy Collins Music video from the band Small Black. Hallways Director: Sarah May Four band members explore a wacky and vivid house filled with hallways leading them to strange rooms in this dance-pop music video. Make Our Relationship Great Again Director: Zachary David Honea A sobering song about the dangers of codependency, Donald Trump, and puppet murder. Spare the Ones That Weep by Mark Stoermer Part 1 & 2 Directors: Mike & Jerry Thompson Music video featuring Mark Stoermer, bassist from The Killers. Terror Director: Joseph Armario Steady Holiday – Terror. While cleaning her house, a woman finds a creature living in her couch that will not die.SHORT FILMS
American Paradise Director: Joe Talbot A forgotten man in Trump’s America attempts to shift his fate with the perfect crime. Inspired by true events. BACKSTORY Director: Joschka Laukeninks As a young child, our protagonist is left by his mother and has to live with his violent father. He fights his way through adolescence and falls in love with the woman of his dreams, and just as everything seems to be finally working out for him, a sudden event changes the course of his life forever. A story about how everything we love, everything we learn, everything we build, everything we fear, will one day be gone. Ballooinator Director: Joshua Seigel Two friends find a new toy gun with a very special ability. Soon, they find the power of the gun might have been more dangerous than they had imagined. Bambina Director: Alexis O. Korycinski An isolated expatriate experiences psychosis and depression after giving birth. Cuddle Buddy Director: Max Barbakow A depressed woman must come to terms with her own vulnerability when she hires an eager Professional Cuddler on Christmas Eve. Do No Harm Director: Roseanne Liang Save the patient. Nothing else. Do Not Lose Director: Shilpi Shikha Agrawal A lonely late night at the coin laundry goes wrong. — Pay attention, Mona. Dawn of the Deaf Director: Rob Savage When a sonic pulse infects the hearing population, a small group of Deaf people must band together to survive. Fever Director: Logan George Four high schoolers across the world reveal their primal selves when faced with moral dilemmas. Get Wed Soon Director: Kathrina Bognot Faced with her parents’ desire for her to marry, a Filipino millennial takes dating to absurd lengths. Girl #2 Director: David H. Jeffery When a deranged killer sets his sights on an unsuspecting sorority, he realizes he’s not the craziest one in the house. Grandma’s House Director: Joshua Giuliano An old woman. Alone. At night. Hot Seat Director: Anna Kerrigan Teen Andrea uses a male stripper to gain the respect and admiration of cool girl Daphne. Hot Seat, which is based on a true story, explores coming-of-age sexuality and the complexities of relationships between teen girls. It’s Been Like a Year Director: Cameron Fay A sexually stifled young man grows increasingly distracted during a rendezvous with an attractive young woman. Joy Joy Nails Director: Joey Ally Sarah manages Joy Joy Nails with a cheerful iron fist – but she gets her manicured claws out when Chinese Mia, a manicurist trainee, looks to be stealing the boss’s son’s affections, soon discovering that under the varnish, everyone’s a victim. Kid Gambled Director: Alexander Familian In Las Vegas, Nevada, an anxious 15 year old reluctantly smokes weed and agrees to steal beer from a gas station— all to impress his hooligan friends and a girl that he likes. There is no explanation for what comes next… Don’t be a little bitch. #LOCALCINEMA Mary Shelley’s FrankenGreen Directors: Nick & Zach Byer After the legalization of both recreational and medical Marijuana, Moses tries to unload a shipment of his “Mary Shelley’s FrankenGreen”, but no one’s buying. After getting a hold of one of his most trusted buyers; Randy, Moses comes to find out Randy has also jumped on the ‘Medical Marijuana’ train. Through the heartache of this ‘drug dealer to drug user’ break-up, Moses goes on an emotional breakdown. Mouse Director: Celine Held Fueled by coke, Vanessa and Danny attempt to capitalize on an unlikely opportunity. NIGHT SHIFT Director: Marshall Tyler A day in the life of a bathroom attendant in an LA nightclub. Pastel Director: Robert Shupe A troubled woman has a bizarre encounter with a transient man on the streets of Las Vegas. The Rideshare Director: Derek Olson Before tonight, Carl was just another driver for the latest Rideshare App., now his next passenger might be his last. The Robbery Director: Jim Cummings Crystal robs a liquor store—it goes pretty OK. Rubber Heart Director: Lizzy Sanford A first-time sexual encounter that just doesn’t click. Shy Guys Director: Fredric Lehne Strangers (Tony winner Reed Birney and Blake DeLong) bravely confront and resolve one of the most terrifying and perplexing scourges to ever afflict mankind…while standing at urinals with their willies out. Valencia Director: Logan George While driving to the reading of her father’s will, Catherine is faced with an anomaly on the side of the road. WASTE Director: Justine Raczkiewicz Roger lives a grim and detached life, picking up medical waste for a living, but looks forward to his evening conversations with his quirky roommate and foodie, Olive. But as the meals become increasingly strange, and push the limits of curiosity, Roger must ask himself how far he will go for love? WIDE-o Director: Kirk W. Murray After a mother finds her two children up late one cold December night, she searches the house only to find the terrifying reason…WILDCARD
Wildcard is the Las Vegas Film Festival’s experimental films category. These #NSFW short films are not for the faint of heart. 5 Stages of Dying Director: Nima Shoghi A young man struggles with his mortality when diagnosed with a terminal illness. Iverson Director: Spencer Wilson A basketball player’s demons interfere with his game. Unfocused, he gets knocked unconscious, forcing him to travel through an inward journey. Milk Director: Tyler Yarbro A lactose noir.
-
Rooftop Films Announces 2017 Summer Series Lineup, BAND AID, THE BAD BATCH and More
[caption id="attachment_19867" align="aligncenter" width="1200"]Adam Pally, Fred Armisen and Zoe Lister-Jones appear in Band Aid by Zoe Lister-Jones[/caption] The Rooftop Films 2017 Summer Series will take place May 19th to August 19th, featuring more than 45 outdoor screenings in more than 10 venues. The series will kick off on Friday, May 19th, with “This is What We Mean by Short Films,” a collection of some of the most innovative, new short films of the past year. The screening will take place on the roof of The Old American Can Factory, in Gowanus, Brooklyn. The following night, Saturday, May 20th Rooftop will present a sneak preview screening of Zoe Lister-Jones’ 2017 Sundance indie hit, Band Aid, free and outdoors at House of Vans in Greenpoint, Brooklyn. Starring Lister-Jones, Adam Pally (“The Mindy Project”), and Fred Armisen (“Portlandia”), Band Aid tells the story of a couple attempting to piece their marriage back together by turning their fights into indie rock lyrics. Band Aid opens in theaters June 2nd, courtesy of IFC Films. Lister-Jones’ film is but one of many of this year’s best independent comedies playing at Rooftop this summer. In addition Rooftop films will present a sneak preview screening of Michael Showalter’s acclaimed new comedy, The Big Sick, starring and co-written by Kumail Nanjiani, prior to its June 23rd theatrical release by Lionsgate and Amazon Studios. Additional high-profile comedies include Rough Night, Lucia Aniello’s bachelorette-party-gone-wrong comedy starring Scarlett Johansson, Kate McKinnon, Jillian Bell, Ilana Glazer, and Zoë Kravitz; Writer, director, and star Noël Wells’ Austin-based feature film debut Mr. Roosevelt; Jessica Williams’ big screen breakout role in Jim Strouse’s The Incredible Jessica James; and Dave McCary’s magical feature film, Brigsby Bear. The 2017 Summer Series also brings with it the triumphant return of Rooftop Films Alumni and Filmmakers’ Fund Grantees. The festival, in partnership with NEON, welcomes back Rooftop Films Piper-Heidsieck Feature Film Grant winner, Ana Lily Amirpour, for a night of complete dystopian debauchery with an exclusive screening of her new film, The Bad Batch, at the House of Vans in Greenpoint. Also returning is Joshua Z Weinstein with his Brooklyn-based, Rooftop/Brigade Festival Publicity Grant winning Menashe and Lauren Wolkstein and Christopher Radcliffe with The Strange Ones, an enigmatic and lush story, adapted into a feature film with the help of the Rooftop Films Eastern Effects Equipment Grant. Rooftop will also present special screenings of some of the most exciting documentaries of the year, including the US premiere of Vanessa Stockley’s fascinating Grey Gardens-in-Manhattan tale, The Genius and the Opera Singer; the NY premiere of Jeff Unay’s much-lauded MMA doc, The Cage Fighter; The US premiere of Maple J. Razsa and Milton Guillén’s The Maribor Uprising: A Live Participatory Film; Jairus McLeary and Gethin Aldous’ powerful SXSW-winning The Work; the gorgeous and sensitive Sundance-winning Dina; and the most entertaining found footage film of the year, Dmitry Kalashnikov’s Russian dash-cam doc, The Road Movie. It wouldn’t be Rooftop Films without cutting-edge evenings of short films. 2017 programming features the return of Summer Series staples, including the romantic short films of “Love is Short,” the innovative animation of “Dark Toons,” the uncanny short films of “Trapped,” the best of this year’s “New York Nonfiction,” and “The New American Paradise,” an evening of WTF short stories from outside the liberal bubble.
ROOFTOP FILMS 2017 SUMMER SERIES OPENING WEEKEND
Friday, May 19, 2017 This is What We Mean by Short Films On the roof of The Old American Can Factory. 232 Third St. Brooklyn Rooftop turns 21 this year. We’re legal, but not playing it safe. On opening night, we’re celebrating with our favorite stories from moral grey zones and uncharted territories: a mushroom of colorful balloons kills two before escaping to Canada, an unnatural presence enters tickle fight, a subversive dance number takes down the patriarchy, and a Russian circus meltdown is played in reverse. Saturday, May 20, 2017 Band Aid (Zoe Lister-Jones) Outdoors at House of Vans. 25 Franklin St. Brooklyn Band Aid, the refreshingly raw, real, and hilarious feature debut from Zoe Lister-Jones, is the story of a couple, Anna (Zoe Lister-Jones) and Ben (Adam Pally), who can’t stop fighting. Advised by their therapist to try and work through their grief unconventionally, they are reminded of their shared love of music. In a last-ditch effort to save their marriage, they decide to turn all their fights into song, and with the help of their neighbor Dave (Fred Armisen), they start a band. A story of love, loss, and rock and roll, Band Aid is a witty and perceptive view of modern love, with some seriously catchy pop hooks to boot. An IFC Films release.FEATURE FILMS
The Bad Batch (Ana Lily Amirpour) The Bad Batch follows Arlen (Suki Waterhouse) after she’s left in a Texas wasteland fenced off from civilization. While trying to navigate the unforgiving landscape, Arlen is captured by a savage band of cannibals led by the mysterious Miami Man (Jason Momoa). With her life on the line, she makes her way to The Dream (Keanu Reeves). As she adjusts to life in ‘the bad batch’ Arlen discovers that being good or bad mostly depends on who’s standing next to you. Winner of the Rooftop Films Piper-Heidsieck Feature Film Grant. A NEON release. Beach Rats (Eliza Hittman) Frankie, an aimless teenager on the outer edges of Brooklyn, is having a miserable summer. With his father dying and his mother wanting him to find a girlfriend, Frankie escapes the bleakness of his home life by causing trouble with his delinquent friends and flirting with older men online. When his chatting and webcamming intensify, he finally starts hooking up with guys at a nearby cruising beach while simultaneously entering into a cautious relationship with a young woman. As Frankie struggles to reconcile his competing desires, his decisions leave him hurtling toward irreparable consequences. A NEON release. The Big Sick (Michael Showalter) Based on the real-life courtship between Kumail Nanjiani and Emily V. Gordon, The Big Sick tells the story of Pakistan-born aspiring comedian Kumail (Nanjiani), who connects with grad student Emily (Kazan) after one of his standup sets. However, what they thought would be just a one-night stand blossoms into the real thing, which complicates the life that is expected of Kumail by his traditional Muslim parents. When Emily is beset with a mystery illness, it forces Kumail to navigate the medical crisis with her parents, Beth and Terry (Holly Hunter and Ray Romano) who he’s never met, while dealing with the emotional tug-of war between his family and his heart. The Big Sick is directed by Michael Showalter (Hello My Name Is Doris) and produced by Judd Apatow (Trainwreck, This Is 40) and Barry Mendel (Trainwreck, The Royal Tenenbaums). A Lionsgate and Amazon Studios release. Friday, June 30, 2017 Brigsby Bear (Dave McCary) On the roof of New Design High School. 350 Grand St. Manhattan After 25 years of secluded existence with his protective parents in their isolated, off-the-grid home, James (Kyle Mooney) is tossed out into a new life in relatively daunting Cedar Hills, Utah. As his world upends, the most shocking revelation to James is that he’s the only person who has ever watched his favorite television program, Brigsby Bear Adventures. Struggling to adjust to the show’s abrupt end, he begins to see Brigsby’s lessons as his only way to make sense of a big, scary new world, and James decides to make a movie to end Brigsby’s story—and re-begin his own. A Sony Pictures Classics release. Friday, June 23, 2017 The Cage Fighter (Jeff Unay) On the roof of The Old American Can Factory. 232 Third St. Brooklyn A blue-collar family man breaks the promise he’d made years ago to never fight again. Now 40 years old, with a wife and four children who need him, Joe Carman risks everything—his marriage, his family, his financial security— to go back into the fighting cage and come to terms with his past. After party presented by Visit Seattle. California Dreams (Mike Ott) From acclaimed director Mike Ott (Lake Los Angeles, Actor Martinez) comes the new comedy documentary feature California Dreams, presenting five unique individuals in pursuit of a big life change. Through auditions set up in small towns across Southern California, the film shows genuine characters with big Hollywood aspirations who, for various reasons, have never had the opportunity to pursue their dreams. With subjects including celebrity impersonators, aspiring writers, and a former nurse, this bitingly funny film reveals the strange and entrancing hypnotic grip that Hollywood has, in some way or form, on everyone. Wednesday, August 2, 2017 The Challenge (Yuri Ancarani) Outdoors at Socrates Sculpture Park. 32-01 Vernon Blvd. Queens. If you have it, spend it: Italian artist Yuri Ancarani’s visually striking documentary enters the surreal world of wealthy Qatari sheikhs who moonlight as amateur falconers, with no expenses spared along the way. The Challenge follows these men through the rituals that define their lives: perilously racing blacked-out SUVs up and down sand dunes; sharing communal meals; taking their Ferraris out for a spin with their pet cheetahs riding shotgun; and much more. Ancarani’s film is a sly meditation on the collective pursuit of idiosyncratic desires. A Kino Lorber Release. Dayveon (Amman Abbasi) In the wake of his older brother’s death, 13-year-old Dayveon spends the sweltering summer days roaming his rural Arkansas town. When he falls in with a local gang, he becomes drawn to the camaraderie and violence of their world. A FilmRise release. Dina (Dan Sickles, Antonio Santini) Dina, an outspoken and eccentric 49-year-old in suburban Philadelphia, invites her fiancé Scott, a Walmart door greeter, to move in with her. Having grown up neurologically diverse in a world blind to the value of their experience, the two are head-over-heels for one another, but shacking up poses a new challenge. Scott freezes when it comes to physical intimacy, and Dina, a Kardashians fanatic, wants nothing more than to share with Scott all she’s learned about sensual desire from books, TV shows, and her previous marriage. Her increasingly creative forays to draw Scott close keep hitting roadblocks—exposing anxieties, insecurities, and communication snafus while they strive to reconcile their conflicting approaches to romance and intimacy. An Orchard release. Saturday, May 27, 2017 The Genius and the Opera Singer (Vanessa Stockley) On the roof of New Design High School. 350 Grand St. Manhattan A 92-year-old former opera singer and her volatile daughter have inhabited a rent-controlled Manhattan penthouse for the last fifty-five years – along with their obese chihuahua, Angelina Jolie. An unsettling portrait of a mother-daughter relationship, The Genius and the Opera Singer explores their intense emotional states and the knotted riddle of their past. US Premiere. Tuesday, July 25, 2017 The Incredible Jessica James (Jim Strouse) On the roof of The William Vale. 111 N 12th St. Brooklyn Jessica Williams (“The Daily Show”) stars as a young, aspiring playwright in New York City who is struggling to get over a recent breakup. She is forced to go on a date with the recently divorced Boone, played by Chris O’Dowd (Bridesmaids) and the unlikely duo discover how to make it through the tough times in a social media obsessed post-relationship universe. Lakeith Stanfield (FX’s “Atlanta”, Straight Outta Compton) and Noël Wells (Netflix’s “Master of None”) co-star. The film was written and directed by Jim Strouse and produced by Michael B. Clark and Alex Turtletaub of Beachside. Jessica Williams and Kerri Hundley serve as executive producers. A Netflix release. L.A. Times (Michelle Morgan) Annette (Michelle Morgan) and Elliot (Jorma Taccone) are a mostly-happy, moderately-neurotic LA couple. Maybe Annette doesn’t enjoy game nights or taco stands as much as Elliot does, but no relationship is perfect, right? Rather than embracing their differences, Annette can only compare their relationship to their happy couple friends. This cannot be endorsed by Annette’s beautiful but romantically troubled best friend, Baker (Dree Hemingway), who is very well-versed on the bleakness of the LA dating scene. Taking its cues from classic mid-20th Century comedies with a stylish and contemporary spin, L.A. Times is an irreverent tale of life and the search for elusive love in the 21st Century. Friday, June 16, 2017 The Maribor Uprisings: A Live Participatory Documentary (Maple J. Rasza, Milton Guillén) Outdoors at Metrotech Commons. 5 Metrotech Center. Brooklyn In the once prosperous industrial city of Maribor, Slovenia, anger over political corruption became unruly revolt. In The Maribor Uprisings–part film, part conversation and part interactive experiment–you are invited to participate in the protests. Drawing on the dramatic frontline footage from a video activist collective embedded within the uprisings, you begin in Maribor as crowds surround and ransack City Hall under a hailstorm of tear gas canisters. As a group, you must choose which cameras you will follow and therefore how the events will unfold. Like those who joined the actual uprisings, you will decide between joining non-violent protests or following rowdy crowds towards City Hall and greater conflict. These events stand as an example for any number of ideological stand-offs today. What sparks outrage? How are participants swept up in—and changed by—confrontations with police? Could something like this happen in your city? What would you do? US Premiere. Menashe (Joshua Z Weinstein) Set within the New York Hasidic community in Borough Park, Brooklyn, Menashe follows a kind but hapless grocery store clerk trying to maintain custody of his son Rieven after his wife, Lea, passes away. Since they live in a tradition-bound culture that requires a mother present in every home, Rieven is supposed to be adopted by the boy’s strict, married uncle, but Menashe’s Rabbi decides to grant him one week to spend with Rieven prior to Lea’s memorial. Their time together creates an emotional moment of father/son bonding as well as offers Menashe a final chance to prove to his skeptical community that he can be a capable parent. Winner of the Rooftop Films Brigade Festival Publicity Grant. An A24 release. Tuesday, August 8, 2017 Monkey Business: The Adventures of Curious George’s Creators (Ema Ryan Yamazaki) On the roof of the JCC in Manhattan. 334 Amsterdam Ave. Manhattan Featuring a narrow escape from the Nazis on makeshift bicycles, Monkey Business explores the extraordinary lives of Hans and Margret Rey, the authors of the beloved Curious George children’s books. New York Premiere. An Orchard release. Saturday, June 17, 2017 Mr. Roosevelt (Noël Wells) On the roof of New Design High School. 350 Grand St. Manhattan Emily Martin (Noël Wells) is a struggling 20-something who moved to Los Angeles to pursue a career in comedy after graduating college in Austin, Texas. When a loved one falls sick, she returns to Austin and runs into her ex-boyfriend, as well as his amazing and intimidating new girlfriend. Low on funds and stuck in Texas for the weekend, Emily stays with the two of them in her old, but miraculously remodeled house. She quickly finds her way into the circle of a local female badass who shows Emily a good time and tries to keep her from spinning out as she goes toe-to-toe with the new girlfriend, all the ways her ex has changed, and ultimately, her own choices and guilt about leaving the past behind. Quest (Jonathan Olshefski) Filmed with vérité intimacy for close to a decade, Quest is a portrait of a family in North Philadelphia. Christopher “Quest” Rainey, along with his wife Christine’a (aka “Ma Quest”), open the door to their home music studio, which serves as a creative sanctuary from the strife that grips their neighborhood. Over the years, the family evolves as everyday life brings a mix of joy and unexpected crisis. Set against the backdrop of a country now in turmoil, the film is a tender depiction of an American family whose journey is a profound testament to love, healing and hope. Friday, June 2, 2017 Rat Film (Theo Anthony) On the roof of The Old American Can Factory. 232 Third St. Brooklyn Across walls, fences, and alleys, rats not only expose our boundaries of separation but make homes in them. Rat Film is a feature-length documentary that uses the rat—as well as the humans that love them, live with them, and kill them–to explore the history of Baltimore. “There’s never been a rat problem in Baltimore, it’s always been a people problem.” A Cinema Guild release. The Road Movie (Dmitrii Kalashnikov) A fascinating mosaic of asphalt adventures, landscape photography, and some of the craziest shit you’ve ever seen, Kalashnikov’s THE ROAD MOVIE is a stunning compilation of video footage shot exclusively via dashboard cameras in Russian automobiles. The dash-cam phenomenon permeates Russian roads thoroughly, capturing a vivid range of spectacles through the windshield, including a comet crashing down to Earth, an epic forest fire, and no shortage of angry motorists taking road rage to wholly new and unexpected levels. All the while, accompanied by bemused commentary from unseen and often stoic drivers and passengers. An Oscilloscope Laboratories release. Wednesday, June 14, 2017 Rough Night (Lucia Aniello) On the roof of The William Vale. 111 N 12th St. Brooklyn In Rough Night, an edgy R-rated comedy, five best friends from college (played by Scarlett Johansson, Kate McKinnon, Jillian Bell, Ilana Glazer, and Zoë Kravitz) reunite 10 years later for a wild bachelorette weekend in Miami. Their hard partying takes a hilariously dark turn when they accidentally kill a male stripper. Amidst the craziness of trying to cover it up, they’re ultimately brought closer together when it matters most. A Columbia Pictures release. The Strange Ones (Lauren Wolkstein, Christopher Radcliff) Mysterious events surround two travelers, seemingly brothers, as they make their way across a remote American landscape. On the surface all seems normal, but what appears to be a simple vacation soon gives way to a dark and complex web of secrets. Winner of the Rooftop Films Eastern Effects Equipment Grant. Friday, July 7, 2017 Whose Streets? (Sabaah Folayan, Damon Davis) On the roof of New Design High School. 350 Grand St. Manhattan Told by the activists and leaders who live and breathe this movement for justice, Whose Streets? is an unflinching look at the Ferguson uprising. When unarmed teenager Michael Brown is killed by police and left lying in the street for hours, it marks a breaking point for the residents of St. Louis, Missouri. Grief, long-standing racial tensions and renewed anger bring residents together to hold vigil and protest this latest tragedy. Empowered parents, artists, and teachers from around the country come together as freedom fighters. As the National Guard descends on Ferguson with military grade weaponry, these young community members become the torchbearers of a new resistance. A Magnolia Pictures release. The Work (Jairus McLeary, Gethin Aldous) Set inside a single room in Folsom Prison, The Work follows three men from outside as they participate in a four-day group therapy retreat with level-four convicts. Over the four days, each man in the room takes his turn at delving deep into his past. The raw and revealing process that the incarcerated men undertake exceeds the expectations of the free men, ripping them out of their comfort zones and forcing them to see themselves and the prisoners in unexpected ways. An Orchard release.SHORT FILM PROGRAMS
Thursday, July 27, 2017 Animation Block Party In the courtyard of Industry City. 274 36 St. Brooklyn Experience the year’s best animated short films at the incomparable Animation Block Party! Saturday, June 3, 2017 Dark Toons: Animated Short Films On the roof of New Design High School. 350 Grand St. Manhattan These toons are chocked full of furry animals and imaginative creatures but they are not for Sunday morning. The twisted and perverse landscapes of our annual Dark Toons program provide a unique backdrop for stories of life askew. From a true story of forced labor at communist-era prison that kept megastores in the West fully-stocked to a beautifully-animated and probably-alcoholic badger which has a run-in with the law and a woman who can’t stop growing fingers, these tales remind us that animation is the ideal medium to glimpse the darker side of life. Tuesday, May 30, 2017 Love is Short: Romantic Short Films On the roofs of The William Vale. 111 N 12th St. Brooklyn “Love is so short, forgetting is so long.” Neruda wrote it, but these protagonists live it. In this program of short films, animated birds, sultry nights-in, and dismembered zombie heads are all members of love’s seductive cult. Come relish in these stories of the beautifully imagined and harshly-real consequences of love’s choices. Thursday, May 25, 2017 The New American Paradise: Short Films Outdoors at Metrotech Commons. 5 Metrotech Center. Brooklyn Pop your New York bubble on a journey to the more peculiar corners of the modern U.S of A. In the land of drive-in churches, carnival boardwalks, border walls, and get-rich-quick schemes, any one of us could end up on the downside of the American dream: another desperado with a mask melted onto our face, searching for a nugget at the bottom of a dirty tin can. Friday, June 9, 2017 New York Nonfiction On the roof of New Design High School. 350 Grand St. Manhattan You see them every day. They’re on the train with you. They’re in your bodega. They’re your neighbors. But after this program of short films, we guarantee you’ll see them in a new light. Ours is a city full of record-holding record holders, spousal adoptions, trash havens, civil rights pioneers, lapsed goth kids, sexting teens, rambles full of leathermen, and unending change; and we like it that way… for the most part. Saturday, August 20, 2017 Rooftop Shots In the courtyard of Industry City. 274 36 St. Brooklyn CLOSING NIGHT! It’s hard to say goodbye. These short films will ease the pain. After-party presented by Visit Seattle. Seattle Shorts Presented by Visit Seattle Sundance Short Films Highlights from Sundance 2017 include these wild, weird and wonderful short films. Saturday, July 10, 2017 Trapped: Uncanny Short Films In the courtyard of Industry City. 274 36 St. Brooklyn Join us for a program of stories most unusual: the meeting of a spaceman and a cave man; an encounter with an alien phenomenon via public access television; and the imagined experiences of the forgotten subject of a famous photograph. These amusing and disquieting short films offer mix-tape portraits, analytic tragicomedies of infinite human desire and potentially-killer workplace procedurals. Experience startling cinematic spectacles you won’t soon forget.
-
DAVE MADE A MAZE, RAT FILM, STRAD STYLE, GIRL FLU Win Top Awards at 2017 Florida Film Festival
[caption id="attachment_21637" align="aligncenter" width="1200"]DAVE MADE A MAZE[/caption] The Florida Film Festival announced the Grand Jury and Audience Awards of the 2017 Florida Film Festival which took place April 21 to 30, 2017, in Maitland and Winter Park, Florida. The Grand Jury Award for Best Narrative Feature was presented to DAVE MADE A MAZE, directed by Bill Watterson and the Grand Jury Award for Best Documentary Feature was presented to RAT FILM, directed by Theo Anthony.
SHORTS
Special Jury Award for Comic Originality was presented to NO OTHER WAY TO SAY IT, directed by Tim Mason Grand Jury Award for Best Narrative Short was presented to RED APPLES, directed George Sikharulidze Grand Jury Award for Best Animated Short was presented to HOT DOG HANDS, directed by Matt Reynolds Grand Jury Award for Best Documentary Short was presented to THE RABBIT HUNT, directed by Patrick Bresnan Audience Award for Best Short Film was presented to SUMMER CAMP ISLAND, directed by Julia Pott Audience Award for Best Midnight Short was presented to DO NO HARM, directed by Roseanne LiangDOCUMENTARY FEATURES
Special Jury Award for Vision and Storytelling was presented to THE PEACEMAKER, directed by James Demo Audience Award for Best Documentary Feature was presented to STRAD STYLE, directed by Stefan Avalos Grand Jury Award for Best Documentary Feature was presented to RAT FILM, directed by Theo AnthonyNARRATIVE FEATURES
Special Jury Award for Acting was presented to Robin Weigert – PUSHING DEAD, directed by Tom E. Brown Audience Award for Best Narrative Feature was presented to GIRL FLU., directed by Dorie Barton Grand Jury Award for Best Narrative Feature was presented to DAVE MADE A MAZE, directed by Bill WattersonINTERNATIONAL
Audience Award for Best International Feature was presented to I DREAM IN ANOTHER LANGUAGE (Mexico/Netherlands), directed by Ernesto Contreras Audience Award for Best International Short was presented to 5 FILMS ABOUT TECHNOLOGY (Canada), directed by Peter Huang
-
Florida Film Festival to Feature 182 Films, Opens with THE HERO
[caption id="attachment_19932" align="aligncenter" width="1213"]The Hero[/caption] The upcoming 26th Florida Film Festival taking place April 21 to 30, 2017, in Maitland and Winter Park, Florida, will feature a lineup of 182 films. The festival will open with the feature film The Hero, directed by Brett Haley, preceded by the Florida premiere of the short film 5 Films About Technology directed by Peter Huang.
2017 OFFICIAL SELECTION:
OPENING NIGHT FILM:
The Hero – Directed by Brett Haley, USA, 2016, 96 minutes Preceded by: 5 Films About Technology – Directed by Peter Huang, Canada, 2016, 5 minutes, Florida PremiereSPOTLIGHT FILMS:
Bitch – Directed by Marianna Palka, USA, 2017, 93 minutes, Florida Premiere Buster’s Mal Heart – Directed by Sarah Adina Smith, USA, 2016, 98 minutes, In English and Spanish with English Subtitles, Southeast Premiere Colossal – Directed by Nacho Vigalondo, Canada/Spain, 2016, 110 minutes The Commune – Directed by Thomas Vinterberg, Denmark/Sweden/Netherlands, 2016, 111 minutes, In Danish with English Subtitles, Southeast Premiere Dean – Directed by Demetri Martin, USA, 2016, 87 minutes, Rated PG-13 The Exception – Directed by David Leveaux, UK, 2016, 107 minutes, Southeast Premiere/2nd US Showing Manifesto – Directed by Julian Rosefeldt, Germany, 2017, 95 minutes, Southeast Premiere Menashe – Directed by Joshua Z. Weinstein, USA, 2017, 81 minutes, In Yiddish with English Subtitles Paris Can Wait – Directed by Eleanor Coppola, USA, 2016, 92 minutes, In English and French with English Subtitles, Rated PG Patti Cake$ – Directed by Geremy Jasper, USA, 2017, 108 minutes Soul on a String – Directed by Zhang Yang, China/Tibet, 2016, 142 minutes, In Tibetan with English Subtitles,East Coast Premiere Step – Directed by Amanda Lipitz, USA, 2017, 83 minutes, Rated PGNARRATIVE FEATURES COMPETITION:
The Archer – Directed by Valerie Weiss, USA, 2017, 86 minutes, East Coast Premiere/2nd US Showing Camera Obscura – Directed by Aaron B. Koontz, USA, 2017, 95 minutes, World Premiere Dave Made a Maze – Directed by Bill Watterson, USA, 2017, 81 minutes, Southeast Premiere Girl Flu. – Directed by Dorie Barton, USA, 2016, 94 minutes Katie Says Goodbye – Directed by Wayne Roberts, USA, 2016, 88 minutes My Entire High School Sinking into the Sea – Directed by Dash Shaw, USA, 2016, 75 min, Southeast Premiere Pushing Dead – Directed by Tom E. Brown, USA, 2016, 111 minutes Some Freaks – Directed by Ian MacAllister-McDonald, USA, 2016, 97 minutes, Florida Premiere The Strange Ones – Directed by Lauren Wolkstein and Christopher Radcliff, USA, 2017, 80 minutes A Stray – Directed by Musa Syeed, USA, 2016, 82 minutes, In English and Somali with English Subtitles,Southeast PremiereDOCUMENTARY FEATURES COMPETITION:
8 Borders, 8 Days – Directed by Amanda Bailly, USA/Lebanon, 2017, 60 minutes, In Arabic with English Subtitles, World Premiere Cassette: A Documentary Mixtape – Directed by Zack Taylor, USA/Germany/Netherlands/UK, 2016, 92 minutes,East Coast Premiere/2nd US Showing Circus Kid – Directed by Lorenzo Pisoni, USA, 2016, 71 minutes, Southeast Premiere For Ahkeem – Directed by: Jeremy S. Levine and Landon Van Soest, USA, 2017, 90 minutes, Southeast Premiere/2nd US Showing The Peacemaker – Directed by James Demo, USA, 2016, 90 minutes, Southeast Premiere/2nd US Showing Rat Film – Directed by Theo Anthony, USA, 2016, 82 minutes Strad Style – Directed by Stefan Avalos, USA, 2017, 104 minutes, Southeast Premiere This Cold Life – Directed by Darren Mann, USA, 2017, 88 minutes, US Premiere Woman on Fire – Directed by Julie Sokolow, USA, 2016, 84 minutes, Southeast PremiereDOCUMENTARY SHORTS COMPETITION:
116 Cameras – Directed by Davina Pardo, USA, 2017, 16 minutes, Southeast Premiere/2nd US Showing All Good Things – Directed by Chloe Domont, USA, 2017, 26 minutes, Florida Premiere Bayard & Me – Directed by Matt Wolf, USA, 2017, 16 minutes, Florida Premiere Brillo Box (3¢ Off) – Directed by Lisanne Sklyer, USA, 2016, 40 minutes, Florida Premiere The Carousel – Directed by Jonathan Napolitano, USA, 2016, 12 minutes, Southeast Premiere The Christmas Light Killer – Directed by James P. Gannon, USA, 2016, 7 minutes, Southeast Premiere/2nd US Showing Clean Hands – Directed by Lauren DeFilippo, USA, 2017, 9 minutes, East Coast Premiere The Collection – Directed by Adam Roffman, USA, 2017, 11 minutes Commodity City – Directed by Jessica Kingdon, USA, 2017, 11 minutes, In Mandarin with English Subtitles The Hama Hama Way – Directed by Treva Wurmfeld, USA, 2017, 12 minutes, Southeast Premiere Heaven is a Traffic Jam on the 405 – Directed by Frank Stiefel, USA, 2016, 40 minutes, East Coast Premiere High Chaparral – Directed by David Freid, USA/Sweden, 2016, 9 minutes, Florida Premiere The John Show – Directed by Julie Sokolow, USA, 2017, 13 minutes, East Coast Premiere Long Term Parking – Directed by Lance Oppenheim, USA, 2017, 8 minutes, Florida Premiere Oddball – Directed by Joshua Moore, USA, 2016, 5 minutes, East Coast The Rabbit Hunt – Directed by Patrick Bresnan, USA, 2017, 12 minutes Refugee – Directed by Joyce Chen and Emily Moore, USA/Senegal, 2016, 28 minutes, In English, Wolof, and French with English Subtitles, Florida Premiere Richard Twice – Directed by Matthew Salton, USA, 2017, 10 minutes, East Coast PremiereNARRATIVE SHORTS COMPETITION:
August – Directed by Caitlyn Greene, USA, 2017, 8 minutes, Florida Premiere The Candidate – Directed by Michael Hilf, USA, 2016, 6 minutes Cat Killer – Directed by Wes Jones, USA, 2017, 11 minutes, World Premiere Cul-de-Sac – Directed by Damon Russell, USA, 2016, 15 minutes, Florida Premiere Cycle – Directed by Caleb Wild, USA, 2017, 10 minutes, World Premiere Get the Life – Directed by Ozzy Villazòn, USA, 2016, 12 minutes Good Crazy – Directed by Rosa Salazar, USA, 2017, 14 minutes, East Coast Premiere Hijo Por Hijo – Directed by Juan Avella, USA/Venezuela, 2016, 11 minutes, In Spanish with English Subtitles,East Coast Premiere Horseshoe Theory – Directed by Jonathan Daniel Brown, USA, 2017, 12 minutes, East Coast Premiere/2nd US Showing Hot Seat – Directed by Anna Kerrigan, USA, 2017, 13 minutes, Southeast Premiere I’m in Here – Directed by Willy Berliner, USA, 2017, 12 minutes, Southeast Premiere It’s Been Like a Year – Directed by Cameron Fay, USA, 2017, 9 minutes, East Coast Premiere/2nd US Showing Judy – Directed by Ariel Gardner and Alex Kavutskiy, USA, 2016, 10 minutes, Southeast Premiere La Ramona – Directed by Antonio De Jesus Sanchez, USA, 2017, 27 minutes, In Spanish with English subtitles,World Premiere Laurels – Directed by David Brundige, USA, 2017, 7 minutes, North American Premiere The Lemon Tree – Directed by Amanda Yam, USA, 2016, 11 minutes, Florida Premiere Mrs. Nebile’s Wormhole – Directed by Pinar Yorgancioğlu, USA/Germany/Turkey, 2016, 14 minutes, In Turkish and German with English Subtitles, Southeast Premiere New Neighbors – Directed by E.G. Bailey, USA, 2017, 9 minutes, East Coast Premiere Night Shift – Directed by Marshall Tyler, USA, 2017, 16 minutes, East Coast Premiere/2nd US Showing No Other Way to Say It – Directed by Tim Mason, USA, 2016, 7 minutes, East Coast Premiere Red Apples – Directed by George Sikharulidze, USA/Georgia/Armenia, 2016, 15 minutes, In Armenian with English Subtitles, East Coast Premiere Rosie, Oh – Directed by Andy Koeger and Apple Xenos, USA, 2016, 9 minutes, East Coast Premiere Scooter Joe – Directed by Steve Collins, USA, 2017, 7 minutes, World Premiere Shift – Directed by Kristen Hester, USA, 2016, 9 minutes, Southeast Premiere Surrogate – Directed by Olivia Hamilton, USA, 2016, 16 minutes, East Coast Premiere, 2nd US Showing Tiny Mammals – Directed by Dagny Looper, USA, 2017, 8 minutes, World Premiere The Visitor – Directed by Ferran Mendoza Soler, USA, 2016, 16 minutes, North American Premiere Vitamins for Life – Directed by Grier Dill, USA, 2016, 2 minutes, Southeast Premiere You Can Go – Directed by Christine Turner, USA, 2016, 10 minutes, Florida Premiere Your Day – Directed by Ginger Gonzaga, USA, 2017, 32 minutes, Florida Premiere Zaar – Directed by Ibrahim Nada, USA, 2016, 11 minutes, Southeast Premiere Zero-Zero – Directed by Randall Whittinghill, USA, 2017, 15 minutes, World PremiereANIMATED SHORTS COMPETITION:
149th and Grand Concourse – Directed by Andy & Carolyn London, USA, 2016, 3 minutes, 2nd US Screening The Biggest Wad is Mine – Directed by: Sam Gurry, USA, 2016, 3 minutes, East Coast Premiere Chella Drive – Directed by Adele Han Li, USA, 2016, 3 minutes, Southeast Premiere Cop Dog – Directed by Bill Plympton, USA, 2017, 6 minutes, World Premiere Fabricated – Directed by Brett Foxwell, USA, 2016, 19 minutes, East Coast Premiere/2nd US Showing Have Sex with Us – Directed by: Rob Frese, USA, 2016, 6 minutes, East Coast Premiere/2nd US Showing The History of Magic: Ensueño – Directed by Josè Luis González, USA, 2016, 5 minutes, In English and Spanish with English Subtitles, Southeast Premiere Hot Dog Hands – Directed by Matt Reynolds, USA, 2017, 7 minutes, East Coast Premiere Insect Bite – Directed by Grace Nayoon Rhee, USA/South Korea, 2016, 2 minutes, Southeast Premiere It’s a Date – Directed by Zachary Zezima, USA, 2016, 7 minutes, Southeast Premiere Legal Smuggling with Christine Choy – Directed by Lewie Kloster, USA, 2016, 4 minutes Slow Wave – Directed by Andy Kennedy, USA, 2016, 4 minutes, Florida Premiere Summer Camp Island – Directed by Julia Pott, USA, 2016, 9 minutes Trouble Brewing – Directed by Timothy Heath, USA, 2017, 8 minutes, East Coast Premiere/2nd US Showing Vocabulary 1 – Directed by Becky James, USA, 2016, 4 minutes, Southeast PremiereINTERNATIONAL SHOWCASE FEATURES:
I Dream in Another Language (Sueño en Otro Idioma) – Directed by Ernesto Contreras, Mexico/Netherlands, 2017, 101 minutes, In Spanish with English Subtitles, Southeast Premiere Pop Aye – Directed by Kirsten Tan, Thailand/Singapore, 2017, 101 minutes, In Thai with English Subtitles,Southeast Premiere Sami Blood – Directed by Amanda Kernell, Sweden/Norway/Denmark, 2016, 107 minutes, In Swedish and South Sami with English Subtitles, East Coast Premiere White Sun – Directed by Deepak Rauniyar, Nepal/USA/Qatar/Netherlands, 2016, 89 minutes, In Nepali with English SubtitlesINTERNATIONAL SHORTS:
5 Films About Technology – Directed by Peter Huang, Canada, 2016, 5 minutes, Florida Premiere Add Contact – Directed by David Oeo, Spain, 2016, 3 minutes, In Spanish with English Subtitles, Southeast Premiere Fish Story – Directed by Charlie Lyne, UK, 2017, 14 minutes, East Coast Premiere Gryla – Directed by Tomas Heidar Johannesson, Iceland, 2016, 6 minutes, In Icelandic with English Subtitles, Florida Premiere Home – Directed by More Raça, Kosovo, 2016, 23 minutes, In Albanian with English Subtitles, East Coast Premiere Irregulars – Directed by Fabio Palmieri, Italy, 2015, 9 minutes, Florida Premiere Jonah the Wet Nurse – Directed by Shalom Hager, Israel, 2015, 30 minutes, In Hebrew with English Subtitles,North American Premiere The Other Side – Directed by Griselda San Martin, Spain, 2017, 6 minutes, In Spanish with English Subtitles, East Coast Premiere Overtime – Directed by Craig D. Foster, Australia, 2016, 9 minutes, Florida Premiere Pria – Directed by Yudho Aditya, Indonesia, 2017, 22 minutes, In Bahasa with English Subtitles, Southeast Premiere Saigo – Directed by TOCHKA (Takeshi Nagata, Kazue Monno), Japan, 2015, 2 minutes, Florida Premiere/2nd US Showing Searching for Wives – Directed by Zuki Juno Tobgye, Singapore, 2016, 12 minutes, In English and Tamil with English Subtitles, Southeast Premiere Slapper – Directed by Luci Schroder, Australia, 2016, 15 minutes, East Coast Premiere/2nd US Showing Stallion (Hingsten) – Directed by Ninja Thyberg, Sweden, 2016, 15 minutes, In Swedish with English Subtitles,World Premiere Supot – Directed by Phil Giordano, Philippines/USA, 2015, 13 minutes, In Tagalog with English Subtitles, North American Premiere White – Directed by Paul Cioran, Romania, 2016, 20 minutes, In Romanian with English Subtitles, North American PremiereINTERNATIONAL ANIMATED SHORTS:
The Absence of Eddy Table – Directed by Rune Spaans, Norway, 2016, 12 minutes, Florida Premiere Arts + Crafts Spectacular #3 – Directed by Sébastien Wolf and Ian Ritterskamp, Germany, 2015, 4 minutes,Southeast Premiere Curse of the Flesh – Directed by Yannick Lecoeur and Leslie Lavielle, France, 2016, 16 minutes, No Dialogue,North American Premiere Decorado – Directed by Alberto Vázquez, Spain/France, 2016, 11 minutes, In Spanish with English Subtitles,Florida Premiere Fears – Directed by Nata Metlukh, Canada, 2015, 2 minutes, No Dialogue, Florida Premiere How Long, Not Long – Directed by Michelle and Uri Kranot, Denmark, 2016, 6 minutes, Southeast Premiere Jonas and the Sea – Directed by Marlies van der Wel, Netherlands, 2015, 12 minutes, No Dialogue, Southeast Premiere Journal Animé – Directed by Donato Sansone, France, 2016, 4 minutes, No Dialogue, East Coast Premiere/2nd US Showing Nou Nen Feat.Utae – Directed by Sawako Kabuki, Japan, 2016, 3 minutes, No Dialogue, East Coast Premiere/2nd US Showing Pussy – Directed by Renata Gąsiorowska, Poland, 2016, 8 minutes, No Dialogue, Southeast Premiere SimSim (The Realm of Deepest Knowing) – Directed by Seunghee Kim, South Korea, 2017, 4 minutes, No Dialogue, World Premiere This is Not an Animation – Directed by Federico Kempke, Canada/Mexico, 2016, 5 minutes, Florida PremiereMIDNIGHT FEATURES:
68 Kill – Directed by Trent Haaga, USA, 2017, 93 minutes, Southeast Premiere Bad Black – Directed by Nabwana IGG, Uganda, 2016, 70 minutes, East Coast Premiere/2nd US Showing Bad Day For The Cut – Directed by Chris Baugh, UK/Northern Ireland, 2017, 99 minutes, East Coast Premiere Birdboy: The Forgotten Children (Psiconautas) – Directed by Alberto Vázquez and Pedro Rivero, Spain, 2015, 76 minutes, In Spanish with English Subtitles, US PremiereMIDNIGHT SHORTS:
Bad Dog – Directed by Tom Putnam, USA, 2017, 4 minutes, World Premiere Death Metal – Directed by Chris McInroy, USA, 2016, 5 minutes Do No Harm – Directed by Roseanne Liang, New Zealand, 2017, 12 minutes, East Coast Premiere Feeding Time – Directed by Matt Mercer, USA, 2016, 13 minutes, East Coast Premiere Girl #2 – Directed by David Jeffery, USA, 2016, 9 minutes Hold Me (Ca Caw Ca Caw) – Directed by Renee Zhan, USA, 2016, 11 minutes, Southeast Premiere Horses – Directed by Leah Shore, USA, 2016, 1 minutes, World Premiere The Investment – Directed by Steve Collins, USA, 2017, 4 minutes, East Coast Premiere It is My Fault – Directed by Liu Sha, China, 2016, 5 minutes, East Coast Premiere Ivan’s Need – Directed by Manuela Leuenberger, Veronica L. Montaño, and Lukas Suter, Switzerland, 2015, 6 minutes, Florida Premiere Pigskin – Directed by Jake Hammond, USA, 2016, 13 minutes Pinky Toe – Directed by Lina July, USA, 2016, 1 minutes, Florida Premiere Showing it All – Directed by Lasse Persson and Lisa Tulin, Sweden, 2017, 2 minutes, World Premiere Sisyphus – Directed by Grace Nayoon Rhee, USA, 2016, 3 minutes, East Coast Premiere/2nd US Showing Summer’s Puke is Winter’s Delight – Directed by Sawako Kabuki, Japan, 2016, 3 minutes, Florida Premiere We Together – Directed by Henry Kaplan, USA, 2016, 7 minutes, Southeast PremiereSPECIAL SCREENINGS:
FAMILY FILMS:
Albion: The Enchanted Stallion – Directed by Castille Landon, USA/Bulgaria, 2016, 103 minutes, Florida Premiere Big Booom – Directed by Marat Narimanov, Russian Federation, 2016, 4 minutes, Southeast Premiere Supergirl – Directed by Jessie Auritt, USA, 2016, 80 minutesFOOD FILMS:
Bugs – Directed by Andreas Johnsen, Denmark/Netherlands/France/Germany, 2016, 73 minutes New Chefs on the Block – Directed by Dustin Harrison-Atlas, USA, 2017, 96 minutes, Florida Premiere One Hundred Thousand Beating Hearts – Directed by Peter Byck, USA, 2016, 15 minutes, Florida Premiere MUSIC FILMS:
Honky Tonk Heaven: The Legend of the Broken Spoke – Directed by Sam Wainwright Douglas and Brenda Mitchell, USA, 2016, 75 minutes, Southeast Premiere Rumble: The Indians Who Rocked The World – Directed by Catherine Bainbridge and Alfonso Maiorana, Canada, 2017, 103 minutes, Florida Premiere Vinyl Revival – Directed by Shasta Ford, USA, 2016, 10 minutes, World PremiereFLORIDA FILMS:
FLORIDA SHORTS: THE BEST OF BROUHAHA:
Amerigo – Directed by Todd Thompson, 2016, 19 minutes, In Italian with English Subtitles Bad Town – Directed by Daniel Smith, 2016, 13 minutes, Southeast Premiere Blackface – Directed by Malcolm Baity, 2016, 7 minutes Burp – Directed by Benjamin L. Gill, 2016, 6 minutes Cartoon Characters – Directed by Carey Kight, 2016, 9 minutes The D in David – Directed by: Michelle Yi and Yaron Farkash, 2016, 2 minutes Dorothy’s Video Application – Directed by Sara Ambra, 2017, 4 minutes Dust Buddies – Directed by Beth Tomashek and Sam Wade, 2016, 4 minutes Flora – Directed by Alexandrina Andre, 2016, 11 minutes, East Coast Premiere For Will – Directed by Grayson Goga and Grace Stalley, 2016, 13 minutes The Goat on the Roof – Directed by Erin Smyth, 2016, 7 minutes Rupee Run – Directed by Tarun Lak, 2016, 2 minutes The Wooden Mannequin – Directed by Stephanie Hunton, 2016, 1 minutes, World Premiere
Ain’t Nothing Like Being Free – Directed by John Meyer, USA, 2017, 48 minutes, World Premiere I Am Another You – Directed by Nanfu Wang, USA, 2017, 80 minutes, East Coast Premiere The Original Richard McMahan – Directed by Olympia Stone, USA, 2017, 21 minutesFLORIDA DOCUMENTARIES: RETRO FILMS:
Popcorn Flick in the Park: Barefoot in the Park – Directed by Gene Saks, USA, 1967, 106 minutes Closing Night Retro: Faster, Pussycat! Kill! Kill! – Directed by Russ Meyer, USA, 1965, 83 minutesSPECIAL SCREENING:
Unrest – Directed by Jennifer Brea, USA, 2017, 97 minutes, In English and Danish with English Subtitles,Southeast Premiere
-
RAT FILM, 2+2=22 [THE ALPHABET], EMPATHY Among ‘Boundary-Pushing Nonfiction Film’ on Lineup for Art of the Real Showcase
[caption id="attachment_20400" align="aligncenter" width="1200"]Rat Film[/caption] Art of the Real, a showcase for boundary-pushing nonfiction film presented each year by the Film Society of Lincoln Center will open with the New York premiere of Theo Anthony’s eye-opening Rat Film, a buzzed-about film that creates a damning account of segregation and injustice in Baltimore via the cultural history of rats in the city. New works by familiar names at the festival include World Without End (No Reported Incidents) from director Jem Cohen (Museum Hours, Benjamin Smoke), a sweet, structuralist look at three small English towns along the Thames Estuary; Pow Wow, a series of visually striking vignettes by Robinson Devor (Zoo); and Untitled, a moving elegy to the late Michael Glawogger composed of remarkable footage from the filmmaker’s unfinished final project, lovingly assembled by his longtime editor Monika Willi. Complementing the roster of esteemed filmmakers are works by innovative and exciting new artists, including Salomé Jashi, whose acerbic The Dazzling Light of Sunset follows a local news team in rural Georgia, and Shengze Zhu, whose compassionate Another Year follows a series of meals shared by a family of Chinese migrant workers, revealing both intimate household dynamics and the broader socioeconomic realities of the country. Highlights also include the North American premiere of two works from Heinz Emigholz’s ambitious “Streetscapes” series—his magnum opus Streetscapes [Dialogue], and 2+2=22 [The Alphabet], a response to Godard’s One Plus One— and special events with artists Basma Alsharif, whose cine-performance Doppelgänger has been performed around the world, and Moyra Davey, who will participate in a career-spanning discussion after the U.S. premiere of her two new works, essayistic tributes to Chantal Akerman, Karl Ove Knausgård, and Virginia Woolf. In addition, there will be a spotlight on Ignacio Agüero and José Luis Torres Leiva, two prominent Chilean documentarians whose works act in conversation. They will be represented here by one new premiere and one older film each, including Agüero’s This Is the Way I Like It II, in its U.S. premiere, which moves between past and present and follows the director as he interviews fellow filmmakers, and his personal The Other Day (2013), beautifully shot in his own home; and José Luis Torres Leiva’s The Sky, the Earth, and the Rain (2008), about four rural Chileans struggling to find meaningful connection, alongside the U.S. premiere of his The Wind Knows That I’m Coming Back Home, a hybrid work that features Agüero, following the elder filmmaker as he prepares to shoot his first fiction film. This year’s Art of the Real also features a tribute to the late Brazilian filmmaker Andrea Tonacci, a key figure in Brazil’s udigrudi(“underground”) or marginal cinema movement, who passed away last December. Three rarely screened key films will be presented on 35mm, including Blah Blah Blah and Bang Bang, two short classics of the marginal cinema movement that opposed both Cinema Novo and Brazil’s military government, and Hills of Disorder, which tells the story of an indigenous man who survived the massacre of his tribe through a blend of re-enactments and archival news reports. The fourth edition of Art of the Real will take place April 20 to May 2, 2017 at the Elinor Bunin Munroe Film Center (144 West 65th St.). FILMS & DESCRIPTIONS OPENING NIGHT Rat Film Theo Anthony, USA, 2016, 84m Balancing a cultural history of rats in Baltimore with portraits of the city’s present-day rat catchers, Theo Anthony presents a damning account of entrenched racism and (sometimes questionable) scientific research ordered by governments and financial institutions. With a hypnotic voiceover by Maureen Jones and music by Baltimore native Dan Deacon, the film connects these multitudinous injustices with footage of Google Maps navigation, archival materials, interviews, poetry, and a tour of Frances Glessner Lee’s “Nutshell Studies of Unexplained Death” forensic dioramas. Dense but accessible, Rat Film is a vital document that refuses easy answers or classifications. A Cinema Guild release. New York Premiere 2+2=22 [The Alphabet] Heinz Emigholz, Germany, 2017, 88m German with English subtitles Celebrated for his rigorous films about the experience of architecture (Schindler’s Houses, Loos Ornamental), Heinz Emigholz launches a new chapter of his “Photography and Beyond” project with an ambitious four-film cycle titled “Streetscapes” (which premiered to great acclaim at the recent Berlinale). The first installment is an open-ended response to Godard’s One Plus One, which chronicled the Rolling Stones in the studio at the height of the 1960s counterculture. This 21st-century update documents the German post-rock band Kreidler at work on their album ABC in a wood-paneled hall in Tbilisi, Georgia. Throughout Emigholz cuts to shots of the city streets outside and to the briskly leafed pages of his densely illustrated notebooks, while a voiceover ruminates on the nature of art and desire. North American Premiere Ama-San Cláudia Varejão, Portugal/Switzerland, 2016, 113m Japanese with English subtitles Cláudia Varejão’s intimate documentary focuses on women living in a small town off of Japan’s Shima Peninsula who have carried on the 2,000-year-old tradition of diving for pearls, sea urchins, and abalone. Challenging notions of how Japanese females are supposed to behave, the Ama (“sea women”) dive without scuba gear or oxygen tanks, wearing minimal protection. Like the Ama probing the ocean’s depths, Varejão’s camera examines the minutiae of the women’s day-to-day existence: their hair curlers, the sea salt clinging to their skin, and assorted daily feminine tasks that are all too often taken for granted. Winner of best Portuguese documentary at DocLisboa. U.S. Premiere Another Year Shengze Zhu, China, 2016, 181m Chinese (Hubei dialect) with English subtitles Thirteen meals shared by a family of migrant workers over 14 months. Through this simple premise, Shengze Zhu’s film speaks volumes about life in contemporary China. Shot in leisurely long takes with a static camera amid cramped living quarters, Another Yearconstantly finds something new and unexpected to focus on, magnifying small physical and psychological details and capturing subtly shifting family dynamics. Zhu uses her subjects as a microcosm for China’s broader socioeconomic realities, but her compassionate commitment to patient observation does justice to their specificity and dignity. U.S. Premiere Brothers of the Night / Brüder der Nacht Patric Chiha, Austria, 2016, 88m Romani, Bulgarian, and German with English subtitles In a Viennese underworld that’s somewhere between the theatrical glam of Fassbinder’s Querelle and the cinéma du look of 1980s France, Patric Chiha (Domain) follows a group of Bulgarian Roma who support their families back home by taking on gay sex work. Through stylized interviews and staged situations, these (mostly straight) men frankly discuss their rates, customers’ requests, and the financial hardships they face. Nevertheless, the film never shies away from the inherent humor and playfulness of human sexuality: every aspect of desire gets burlesqued, be it cash or water sports. U.S. Premiere Casa Roshell Camila José Donoso, Chile, 2016, 71m Spanish with English subtitles Roshell Terranova, 51, is the co-owner of Club Roshell, a transgender club on an unassuming street in Mexico City that holds “personality workshops” for its clientele, offering tutorials on makeup, costumes, heels, and other accessories. A “safe space” in the sincerest sense, the club allows men to eschew the limits of macho culture, push the boundaries of their own gender, and, as Roshell emphasizes in an address to the club’s patrons, to own their identities and desires, to feel pretty and less alone. As with her previous feature, Naomi Campbel (an Art of the Real 2015 selection), Camila José Donoso’s richly detailed film immerses itself in its world, mixing digital, 16mm film, and even closed-circuit TV footage to locate a glamorous utopia within the confines of the club. New York Premiere The Dazzling Light of Sunset / Daisis miziduloba Salomé Jashi, Georgia/Germany, 2016, 74m Georgian with English subtitles Beautifully shot and strangely comic, Salomé Jashi’s documentary follows Dariko and Khaka, an ultra-low-budget local news team in rural Georgia. Whether it’s elections, death announcements, a rare owl, or an oddly stressful fashion show for prepubescent and teenage girls, the pair approach each story without ego and with absolute professionalism, managing every aspect of reporting and production themselves. Through subtle editing choices, Jashi suggests that nothing truly changes in this former Soviet satellite—but allows her subjects to have one last acerbic word on the matter of representation. New York Premiere Dark Skull / Viejo Calavera Kiro Russo, Bolivia/Qatar, 2016, 80m Spanish with English subtitles A hybrid work set in the uniquely rough world of the Bolivian mines, Dark Skull is a character drama and an idiosyncratic portrait of workers’ daily lives. The narrative unfolds around the troubled and troublesome Elder, sent to live with his grandmother in Huanuni, a small country town in Bolivia. Once there, Elder proves a constant embarrassment to his godfather, Francisco, frequently skipping work to get drunk or high. But his off-the-clock activities eventually lead him to a dark secret about Francisco’s involvement in his father’s death. Shot largely inside the mines, and made in collaboration with the miners’ union, Kiro Russo’s elegant and formally daring film employs an ambitious structure and gorgeous cinematography to express the nuances and codes of the workers. New York Premiere LIVE EVENT Doppelgänger: a cine-performance by Basma Alsharif 2014, 45m In Doppelgänger, which premiered at the Berlin Documentary Forum, and has since been performed at the Sharjah Biennial and in Gwangju, South Korea, artist and filmmaker Basma Alsharif examines her own family history and the concept of the double in a performance that reflexively weaves together the Occupation of Palestine, narrative cinema, and the possibility for Utopia. In reference to her own practice, Alsharif proposes how bilocation and doubling might enable the moving image to embody the Palestinian perspective, and invites the audience to engage in a new kind of voluntary collective memory. U.S. Premiere Empathy Jeffrey Dunn Rovinelli, USA, 2016, 83m This rigorous yet sensitive debut from Jeffrey Dunn Rovinelli follows Em, a queer sex worker, as she moves between New York City and her native Pittsburgh, struggling to kick her heroin addiction and get on with her life. With intimate access to seemingly all aspects of her life—her friends, lovers, clients, and Em alone—we witness firsthand the difficulties of getting clean and are given a stark but touching image of what it means to be young and at odds with oneself today. Elegantly shot on a mixture of digital and Super 16mm film and suffused with an intricate and atmospheric score, Empathy deftly chronicles its subject’s attempts to regain (or preserve) a shred of autonomy and evokes both the tragedy and the comedy of dire personal struggles. North American Premiere From a Year of Non-Events Ann Carolin Renninger & René Frölke, Germany, 2017, 83m German with English subtitles The latest by Renninger and Frölke (Le Beau danger) tenderly traces the daily rhythms and rituals of 90-year-old Willi Detert on his rural northern German farm by way of an elegantly interwoven tapestry of 16mm and Super 8mm images. With Willi no longer able to work the land, the farm’s grounds are overrun and his house is littered with physical remnants of days gone by (and cats). In his presence, time itself passes in an altogether distinctive way, and the filmmakers meticulously capture this present speckled with the past. From a Year of Non-Events leaves us with a rich sense of both a man and a place as conduits for history. North American Premiere Gray House Austin Lynch & Matthew Booth, USA, 2017, 76m Deftly blending vérité footage, interviews, landscapes, and fictional elements (some of which involve actors Denis Lavant and Aurore Clément), Gray House candidly explores blue-collar lives across five different settings. By way of stunning nocturnal imagery and a commandingly atmospheric sound design, the film presents glimpses of corners of the country seldom portrayed in cinema—trailer parks, industrial hallways, cluttered desks in small business offices—and methodically unearths their obscure beauty. Perhaps more urgently, Lynch and Booth provide ample screen time to American working-class people who are seen in films even less often, carving out a space for them to express their fears, desires, politics, and musings about their everyday realities. North American Premiere In Time to Come Tan Pin Pin, Singapore, 2017, 62m Returning to themes of redevelopment and excavation of the past, Tan Pin Pin carefully probes the topography of Singapore with long, slow-burning shots of schoolchildren, shopping malls, and workers, digging up a time capsule buried by the state. Less overtly political than her film To Singapore, with Love (Art of the Real 2014), In Time to Come questions Singaporeans’ relationship to time and each other. In every quotidian interaction we witness, an underlying question burns: how can true connection take place when so much has been preshaped and destroyed by a government that’s only looking out for its own interests? U.S. Premiere The Modern Jungle / La Selva Negra Charles Fairbanks & Saul Kak, Mexico/USA, 2016, 72m Zoque and Spanish with English subtitles Centered on the relationship between indigenous and Western culture, The Modern Jungle documents the tensions that emerge when an elderly Zoque couple come into contact with global capitalism and the filmmaking process. Carmen and Juan are fighting to keep the small plot of land they’ve worked on their whole lives in southern Mexico. Juan, who is also a shaman, struggles with a hernia that traditional methods can’t treat, and soon gets sucked into a nutritional supplement pyramid scheme. Fairbanks and Kak (himself an advocate for indigenous rights) disclose upfront that Juan and Maria are being paid, dismissing long-held myths about “pure” relationships between ethnographer and subject. New York Premiere MOYRA DAVEY: TWO PREMIERES Hemlock Forest (2016, 42m) + Wedding Loop (2017, 23m) Moyra Davey, USA Steeped in personal and literary history, Moyra Davey’s videos explore compulsion, creativity, and the feminine. Hemlock Forest, a sequel to her 2011 work Les Goddesses, and Wedding Loop, employ the same rigorous formal strategy: Davey paces in front of the camera inside her apartment, reciting her narration from an iPhone, then incorporates old photographs or home movies to form a visual essay around the monologue. In the former, Davey traces the worlds of Karl Ove Knausgård and Chantal Akerman as she considers the implications of her son leaving home and Akerman’s suicide; the latter recounts a wedding party and the women involved, reflected through Virginia Woolf’s family history. An in-depth discussion, tracing many different facets of Davey’s decades-long career as an artist, will follow the screening. U.S. Premiere The Other Day / El otro díaIgnacio Agüero, Chile, 2013, 122m Spanish with English subtitles Ignacio Agüero fashions a documentary that manages to encompass his family and national history, Chile’s economic problems, identity, and nature via the most low-key of approaches: the film is shot primarily inside his home and through a door that leads to the street, establishing a clear line between the self and the world. Beautifully photographed, this impressive work locates the profound through family heirlooms and encounters with strangers who come knocking. Pow Wow Robinson Devor, USA, 2016, 72m Robinson Devor (Police Beat, Zoo) returns to documentary after a 10-year hiatus with Pow Wow, a visually striking series of vignettes. Showcasing the many environmental contrasts of the Coachella Valley in Palm Springs, CA, the film has an equally diverse array of subjects, including legendary Las Vegas comedian Shecky Greene, an elderly Austrian heiress, trust-funders, Native Americans, and white golfers who participate in their club’s annual “pow wow” party by wearing feather headdresses. These slices of life gradually come to illustrate the story of Willie Boy, a Paiute youth who escaped a mounted posse on foot across 500 miles of desert in 1908. New York Premiere The Sky, the Earth, and the Rain / El Cielo la tierra y la lluvia José Luis Torres Leiva, Chile/France/Germany, 2008, 35mm, 112m Spanish with English subtitles In a remote, rural harbor town in southern Chile, Ana carries out her daily routines in silence, even when she’s with others. After she is fired, her gregarious best friend Veronica secures her a job as a housekeeper for Toro, a solitary man who lives outside the city. As the characters struggle to connect and discover themselves, Torres Leiva’s camera finds the beauty in their sepia-toned surroundings: the inside of Veronica’s home, a lonely forest path, the muddy bayous that encircle their town. As these moments accumulate, the film achieves a state of contemplative grace. Streetscapes [Dialogue] Heinz Emigholz, Germany, 2017, 132m A director speaks at length to a psychoanalyst, confiding his obsessions, fears, ideas about cinema, and psychological blocks, and eventually comes to realize that this all-encompassing exchange could be the basis of a film . . . Streetscapes [Dialogue] is based on a six-day psychoanalytic marathon that Emigholz undertook with trauma specialist Zohar Rubinstein—their roles are played in the film by American actor John Erdman and Argentinian filmmaker Jonathan Perel, who are photographed in and around buildings in Uruguay by Julio Vilamajó, Eladio Dieste, and Arno Brandlhuber. The result is Emigholz’s magnum opus, a demonstration of his singular working methods, and a playful, moving treatise on trauma and architecture in which foreground and background carry equal weight. North American Premiere This Is the Way I Like It II / Como me da la gana II Ignacio Agüero, Chile, 2016, 86m Spanish with English subtitles In 1985, Ignacio Agüero spontaneously visited other Chilean directors on set to ask them about making films under Pinochet’s dictatorship. (The resulting 30-minute short, Como me da la gana, was, unsurprisingly, censored.) Thirty years later, Agüero revisits the concept, but he dramatically complicates it, by both rephrasing his line of questioning and repeatedly interrupting these recorded scenes with clips from his family’s home movies and his own films, interviews with random people, and landscape shots. This complex and entertaining film, which won the International Competition Grand Prix at FIDMarseille, dramatizes an ongoing negotiation between past and present. U.S. Premiere THREE BY TONACCI Blah Blah Blah / Blablablá (1968, 35mm, 26m) + Bang Bang / Bangue Bangue (1971, 35mm, 80m) Andrea Tonacci, Brazil Portuguese with English subtitles A key figure in Brazil’s udigrudi (“underground”) or marginal cinema movement, Andrea Tonacci passed away last December at the age of 72. Blah Blah Blah, his seminal short, is a middle finger to both Cinema Novo and Brazil’s military government at the time: in the face of national crisis, a dictator makes a long speech on television, seeking to justify his government in order to achieve an illusory peace. Bang Bang, his structurally radical first feature, is a “Maoist detective comedy”: a monkey man is chased by a gang of bizarre criminals, each encounter growing increasingly absurd. and Hills of Disorder / Serras da Desordem Andrea Tonacci, Brazil, 2006, 35mm, 135m Portuguese with English subtitles Remaining true to his radical roots, Andrea Tonacci retells the true story of Carapiru, an indigenous man who survived the massacre of his tribe in 1978, roaming over 350 miles through the mountains of Central Brazil and toward Western civilization. Years later, a government agency attempts to resettle him to his native village—yet another uprooting. Commenting on Brazil’s alternately fetishistic and ugly treatment of native peoples as well as the director’s own gaze, Tonacci’s penultimate film constantly asks difficult questions, and employs a challenging aesthetic approach that blends re-enactments and archival news reports. Untitled Michael Glawogger & Monika Willi, Austria, 2017, 107m In English and German with English subtitles A traveling filmmaker who found beauty in some of the harshest living conditions on the planet, Michael Glawogger (Whores’ Glory, Workingman’s Death) contracted malaria and died in 2014 while filming in Liberia, a little over four months into what was meant to be a year-long journey around the world. (“The most beautiful film I could imagine is one which would never come to rest,” he said of the project.) His longtime editor, Monika Willi, has assembled the extraordinary footage—shot by Attila Boa—into Untitled, based on Glawogger’s notes for its completion and incorporating excerpts from his witty and meditative journal entries. The result is a revelatory glimpse into Glawogger’s ideas and process as well as a moving elegy to the man. North American Premiere Voyage to Terengganu / Kisah Pelayaran Ke Terengganu Amir Muhammad & Badrul Hisham Ismail, Malaysia, 2016, 62m Malay with English subtitles Retracing the early 19th-century travels of the great Malaysian writer Munshi Abdullah, Amir Muhammad (The Big Durian) and Badrul Hisham Ismail journey across the state of Terengganu and interview its inhabitants, including a dirt bike enthusiast/mechanic, the owner of a camera repair shop, and various wheeler-dealers at the marketplace. Interspersing these present-day observations with excerpts of Abdullah’s text—by turns critical and ironic, some outdated and some still relevant—the directors fashion a warm, sly, humanistic travelogue that explores their countrymen’s beliefs about money, religion, and nationhood. North American Premiere The Wind Knows That I’m Coming Back Home / El viento sabe que vuelvo a casa José Luis Torres Leiva, Chile, 2016, 103m Spanish with English subtitles In the early 1980s, a couple vanished without a trace in the woods of Meulín Island. Director Ignacio Agüero (This Is the Way I Like It II) had intended to shoot a documentary about this strange occurrence, but eventually abandoned the project. Now, he journeys to the area to shoot his first fiction film based on the events, and José Luis Torre Leiva follows Agüero as he speaks with locals about the legends that have arisen surrounding this mysterious occurrence in between scouting for locations and auditioning nonprofessionals, who often provide a source of tender comic relief. The film is also a meditation on the isolation of those living on Chile’s Chiloé Archipelago, capturing its unique and solitary landscapes. U.S. Premiere World Without End (No Reported Incidents) Jem Cohen, USA/UK, 2016, 56m Perfectly encapsulating the sweet-hearted chatter unique to small-town England, Jem Cohen offers views of three different (yet almost identical) cities along the Thames Estuary: Southend-on-Sea, Leigh-on-Sea, and Canvey Island. With a structuralist approach, Cohen (Museum Hours) shows the high street, black sand dunes, and shops with great care; meanwhile, the cities’ inhabitants offer insights into the class codes of hats, Indian curry, the imaginary beaches of London, and punk rock (courtesy of members of Dr. Feelgood). A Grasshopper Film release. New York Premiere