
The seventeenth annual Bosnian-Herzegovinian Film Festival (BHFF) will take place in New York City from Wednesday, April 8, through Saturday, April 11, 2020.
The Museum of Forgotten Triumphs (Musej zaboravljenih trijuma) (2018)
NAME OF FILM: THE MUSEUM OF FORGOTTEN TRIUMPHS (MUSEJ ZABORAVLJENIH TRIJUMA)
DIRECTOR(S): Bojan Bodruzić
STARRING: N/A
GENRE: Documentary Film
SYNOPSIS: After being evacuated as a child in 1992, Vancouver-based filmmaker Bojan Bodružić returned to Sarajevo in 2000 and began to film his grandparents. Charming and spirited, the elderly couple share their experiences, starting with WWII and ending with the Bosnian War, even insisting that their grandson finish the film as they fall ill in their twilight years.
The seventeenth annual Bosnian-Herzegovinian Film Festival (BHFF) will take place in New York City from Wednesday, April 8, through Saturday, April 11, 2020.
The Bosnian-Herzegovinian Film Festival (BHFF) in New York City announced the winners of the Golden Apple Awards for the 16th annual event with Bobo Jelčić ’s ALL ALONE winning the BHFF 2019 Golden Apple Jury Award for Best Feature; and Bojan Bodruzić’s THE MUSEUM OF FORGOTTEN TRIUMPHS won the BHFF 2019 Golden Apple Jury Award for Best Documentary. Marta Hernaiz Pidal’s THE CHAOTIC LIFE OF NADA KADIĆ won the BHFF 2019 Golden Apple Audience Award for Best Picture.
Yorgos Lanthimos’ The Favourite leads all films in the Vancouver Film Critics Circle’s international section with six nominations, and Katherine Jerkovic’s Roads in February leads all films in the Vancouver Film Critics’ Circles’ Canadian section with six nominations.
In the international section, Lanthimos’ delectable bodice ripper shares the Best Picture category with First Reformed, Paul Schrader’s pointed diagnosis of our ill-stricken times, and Alfonso Cuarón’s technically virtuosic and emotionally devastating Roma; Lanthimos, Schrader and Cuarón also assume their respective places in the Best Director category.
Burning, Roma and Shoplifters are up for Best Foreign Language Film, while Free Solo, Minding the Gap and Won’t You Be my Neighbor? are nominated for Best Documentary.
In the Canadian section, a wistful story about a young woman returning home to Uruguay after more than a decade away, Roads in February is nominated for Best Picture alongside Fausto, Andrea Bussmann’s loose adaptation of Goethe’s version of the Faust legend, and Edge of the Knife, co-directors Gwaai Edenshaw and Helen Haig-Brown’s 19th century epic, scripted entirely in two endangered Haida dialects (of which there are only 20-odd fluent speakers remaining). Jerkovic, Bussmann and Edenshaw and Haig-Brown are all nominated for Best Director, where they are joined by Philippe Lesage for Genesis.
The Best Canadian Documentary nominees are ANTHROPOCENE: The Human Epoch, The Museum of Forgotten Triumphs, and What Is Democracy?