The San Francisco Film Society and the Kenneth Rainin Foundation today announced the five winning projects in the sixth round of SFFS/KRF Filmmaking Grants. The grants are awarded twice annually to filmmakers for narrative feature films with social justice themes that will have significant economic or professional impact on the Bay Area filmmaking community. Between 2009 and 2013 the SFFS/KRF Filmmaking Grants will award nearly $2.5 million, including more than $1 million awarded in the first six grant rounds.

The panelists who reviewed the finalists’ submissions are Jen Chaiken, producer, founder of 72 Productions and member, SFFS board of directors; Jennifer Rainin, president, Kenneth Rainin Foundation; Bingham Ray, SFFS executive director; and Michele Turnure-Salleo, director of filmmaker services, SFFS. The panel noted, “For their unique stories and breadth of social justice issues — which range from religious fanaticism to bullying in the dance world — we are thrilled to award these filmmakers SFFS/KRF Filmmaking Grants. The five winners, whether based locally or in New York or Los Angeles, all showed strong connections to the Bay Area and a real capacity to have a significant impact here, professionally and economically.”

Lance Edmands, Kyle Martin: Bluebird
$97,000 for production
In the frozen woods of an isolated Maine logging town, one woman’s tragic mistake shatters the community balance, resulting in profound and unexpected consequences.

Eric Escobar: One Good Thing
$15,000 for screenwriting
A jaded and bitter locksmith spends his days locking families out of their foreclosed homes. When a morning lockout turns up the abandoned child of a long-lost friend, his cynicism is put in check as he races to find the missing parents. For more information visit

Ian Hendrie, Jyson McLean: Mercy Road
$35,000 for screenwriting
Based on true events, Mercy Road traces the political and spiritual odyssey of a small-town Christian housewife as she slowly turns from a peaceful pro-life activist to an underground militant willing to commit violence and murder in the name of God.

Chris Mason Johnson: Test
$60,000 for production
The year is 1985. The youngest, skinniest and most mocked member of San Francisco’s new contemporary ballet company begins a friendship with a brilliant dancer with a bad boy reputation in the same troupe. As lurid headlines threaten a gay quarantine, the two friends navigate a world full of risk that is also full of promise. For more information visit

Oden Roberts, Azura Skye: Rosie Got Her Gun
$100,000 for production
Following a series of arrests, a troubled young woman struggling to avoid prison time is visited by an opportunistic Army recruiter. For more information visit

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