CAPITAL CUBA by Johann Lurf (2015)
CAPITAL CUBA by Johann Lurf (2015)

The 31st edition of Filmfest Dresden lures film-loving audiences to the capital of Saxony, Germany from April 9 to 14, 2019. Filmfest Dresden is already proving a foretaste of several of this year’s special programs.

Focus on Cuba – The Legacy of the Revolution

60 years after the revolution, Cuba finds itself in a tense situation between isolation and opening up – and that both politically and culturally. In the face of the current political transformations in Cuban politics, a “Nouvelle Vague” of filmmakers is now struggling for recognition and visibility. The 31st Filmfest Dresden is presenting the latest short film works that deal with changes and upheavals to ossified structures and identities, as well as with cultural, political and sexual self-determination. Questions related to democracy and human rights policies represent the focal aspect of these works, which will be discussed in events with the filmmakers attending the festival and other experts parallel to the screenings. Likewise in the special program, we are looking back on and scrutinizing this island state’s revolutionary past and culture of remembrance.

The works being screened include Johann Lurf’s experimental study CAPITAL CUBA (2015), which explores the relationship between the sea, the city and its residents at various places in the Bay of Havana. The everyday life of the Cubans in 1963 is documented by the French filmmaker Agnès Varda in her short film SALUT LES CUBAINS.

Discourse on EUROPA: Invectivity – The Era of Rage

With its “Discourse on EUROPA: Invectivity – The Era of Rage” program, the 31st Filmfest Dresden is devoting a section to a further social phenomenon undergoing constant change. We are screening films here that explore the dynamics and constellations involved in insulting, humiliating, degrading and discriminating, together with related discussion rounds intended to reveal their potential for manipulation. In cooperation with the special research project from the Technical University Dresden entitled “Invectivity, Constellations and Dynamics of Degradation”, Filmfest Dresden is probing the issue of the power and function of film for (democratic) society.

Tribute: Derek Jarman – A Cinema of Small Gestures

The Briton Derek Jarman (1942-1994), one of the most versatile and provocative artists in the late 20th century, also symbolizes departures and radical changes. He developed a formal poetic language in his filmic oeuvre based on painting and theatre, which permitted him to transport his (socio)-political messages and challenges against homophobia and the neoliberal policies of the Thatcher government. Although Jarman is known for his feature films (THE TEMPEST, CARAVAGGIO, EDWARD II), which transformed the Scottish actress Tilda Swinton into an international star, as well as for his music videos (such as for “Pet Shop Boys”), he was also devoted to short film, which he described as a “cinema of small gestures”. On the 25th anniversary of the artist’s death, the 31st Filmfest Dresden is presenting a selection of rarely screened avant-garde and experimental films from him, including SLOANE SQUARE: A ROOM OF ONE’S OWN (1974-76) and SEBASTIAN WRAP (1975).

Furthermore as part of its inclusion initiative (“barrier-free cinema”), Filmfest Dresden is screening Jarman’s last long film BLUE (1993), which creates awareness for the subject of inclusion through its experimental exploration of the director’s blindness due to illness.

Retrospective: Christian Borchert

The social upheavals in (East and West) German-German history are being explored by the 31st Filmfest Dresden in a retrospective on Christian Borchert (1942-2000), one of the most important photographers in East German GDR and the post-reunification era. Born in Dresden and mainly active in Berlin and his home city, due to his serial working and narrative forms, his idiosyncratic archival practices and his quasi archaeological handling of visual media such as film and television, he has assumed an outstanding yet too seldom appreciated position in German photography of the 20th century. In cooperation with the Saxon State Library – Dresden State and University Library (SLUB) and the State Art Collections Dresden (SKD), a selection of Borchert’s filmic works are being presented at Filmfest Dresden, curated by Dr. Bertram Kaschek and Dr. Claus Löser.

The film program is intended to give a foretaste of the photo exhibition “Christian Borchert – Tectonics of Remembrance”, which can be seen from 26 October 2019 in the Collection of Copper Engravings (Kupferstich-Kabinett) (Residence Castle, 3rd floor) of the State Art Collections Dresden (SKD).

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